6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Alan Alda plays a classical piano player on the rise who befriends a famous player himself who's at death's door. Unknown to Alda, the guy is a satanist, who arranges to have their souls switch places at his death, so that he can be young again and continue to play piano (thus needing a skilled piano player like Alda to switch bodies with)...
Starring: Alan Alda, Jacqueline Bisset, Barbara Parkins, Bradford Dillman, William WindomHorror | 100% |
Supernatural | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.0 |
Movies about the Devil and Satanism became big business in 1970s, preying on fears of organized evil and spiritual corruption. The subgenre would really strike oil with 1973’s “The Exorcist,” which raised panic over unholy business to monumental levels, but it started small, with 1971’s “The Mephisto Waltz” attempting to raise small-scale hell with its tale of manipulation and fantasy. Based on the Fred Mustard Stewart novel, the picture submits a rather complicated inspection of Satanic suspicion, making it alarmingly slow-going as director Paul Wendkos labors over details, not a greater flow of suspense. “The Mephisto Waltz” is more of a tempered look personal doom, requiring a general relaxation of expectations as the production tries to pore some psychedelic melt from the 1960s into a horror experience for a new decade of terror.
The AVC encoded image (1.85:1 aspect ratio) presentation provides a startlingly soft look at "The Mephisto Waltz." Detail is difficult to come by, as the age of the transfer and the feature's stylistic choices combine to pull texture out of most scenes. Clarity isn't impossible to find, but sharpness doesn't reach as far as hoped, smoothing out design achievements and diluting close-ups. Colors are also mildly deflated, supplying passable but not remarkable hues with costuming and set decoration. Skintones are adequate. Grain is heavy, chunkier. Source delivers is share of speckling. Mild banding is detected.
The 2.0 DTS-HD MA sound mix carries hiss throughout the listening experience, while the track's general quietness requires a substantial boost in volume to bring it up to expectations. Dialogue exchanges aren't dynamic, but dramatic efforts remain intact, handling extremes in panic and hushed revelations without distortion. Scoring is louder, commanding the mix, getting as close to a precise read of instrumentation as possible. Sound effects are blunt, along with group activity.
Perhaps most troubling about "The Mephisto Waltz" is its resemblance to a television movie. The production doesn't aim for a cinematic take on Paula's nightmare, instead playing most of the effort flat. Only a tireless score from Jerry Goldsmith really gives the movie some depth, helping Wendkos find the moods of terror he's looking for. Scale just isn't a priority to the production, which hopes to unnerve its audience from a more personal space, exploring changes in behavior and a gradual understanding of threat. "The Mephisto Waltz" is unique in the manner it goes about showcasing what evil is capable of, but it doesn't carry expected momentum. Villainy takes more of a leisurely journey here, making it difficult to get wrapped up in strange occult events
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