7 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An aging hitman befriends a young man who wants to be a professional killer. Eventually it becomes clear that someone has betrayed them.
Starring: Charles Bronson, Jan-Michael Vincent, Keenan Wynn, Jill Ireland, Frank DeKovaThriller | Insignificant |
Crime | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
Music: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.5 |
There’s a moment relatively early in The Mechanic when an upstart young man named Steve McKenna (Jan- Michael Vincent) bursts into a meeting between his father Harry (Keenan Wynn) and a business associate named Arthur Bishop (Charles Bronson), and without one word of dialogue and just a couple of stolen glances, it’s patently apparent that there’s something going on subtextually between Bishop and Steve. That brief hint of attraction isn’t mere fantasy, for it turns out that screenwriter Lewis John Carlino actually wanted The Mechanic to explore a gay relationship between an older man and a younger one, all within the context of organized crime and a paid hitman taking on an apprentice. The powers that be (or were) decided in their infinite wisdom that American (and global) movie going audiences weren’t quite ready for such a portrayal, and so The Mechanic ostensibly jettisoned this idea, though it lingers just slightly at times in odd little moments like the quizzical smile Bronson gives to Vincent at various times. It’s notable that when The Mechanic was remade in 2011 with Jason Statham in the title role, there was a gay relationship in the plot, though not between Bishop and Steve. While the decisions to keep the relationship between Bishop and Steve on the straight and narrow (so to speak) may have undercut Carlino’s original conception, it doesn’t materially alter what is an interesting thriller that offers Bronson a chance to trot out his laconic, no nonsense persona as a high tech assassin whose assignments seem to have been ported over from any given episode of Mission: Impossible, replete with a packet of information about his target and, in one case anyway, an improbable combination of picayune plans that require both subterfuge and exact timing.
The Mechanic is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. While this is a generally solid if unspectacular looking high definition presentation, some fans may be disappointed in the overall softness of the look here, something that's especially noticeable in some of the more brightly lit outdoor scenes. Colors are reasonably accurate looking but also appear just slightly pallid at times, especially with regard to things like fleshtones. Grain is natural looking and actually fairly heavy at times, but there are also minimal compression artifacts that also dot the image on occasion. Fine detail rises appreciably in some close-ups (see screenshot 6), but is otherwise at acceptable levels. The elements are in quite good condition, with only some negligible wear and tear in evidence. Winner's non-stop use of zoom lenses presents no stability issues, but does add at least the perception of softness at times.
The Mechanic's lossless DTS-HD Master Audio Mono mix is surprisingly boisterous at times, revealing things like explosions and gunfire with quite a bit of force and precision. Dialogue is cleanly presented, and Jerry Fielding's moody score sounds nicely full bodied as well. The track exhibits no signs of any damage whatsoever.
Charles Bronson is his typically stoic, direct self throughout The Mechanic, and the sheer force of the actor's persona helps lift the film above its genre elements. There's little doubt that Carlino's original conception would have given this film a focus it lacks in its current form, but that doesn't mean that The Mechanic outright fails due to its somewhat meandering qualities. Vincent is perfectly cast as a smug pretty boy, and Michael Winner stages some fantastic set pieces. The film may never gel as a whole, and certainly doesn't ever really reveal anything profound about either of its main characters, but it's a fun ride nonetheless. This Blu-ray offers very good to excellent technical merits, and comes Recommended.
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