6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
| Thriller | Uncertain |
| Horror | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Left with a usable set and some additional Edgar Allan Poe inspiration, director Alan Birkinshaw and screenwriter Michael J. Murray move from 1989’s “The House of Usher” to “The Masque of the Red Death,” hoping to squeeze a second picture out of the deal. Instead of going gothic with a faithful retelling of the original Poe story, the team elects to create a modern house party murder game with the elements, keeping the budget low and casting awkward as they attempt to execute a blunt slasher movie with little inspiration.


The AVC encoded image (1.85:1 aspect ratio) presentation is listed as a "Brand New 2020 HD Master," with Scorpion Releasing trying to do something with an obscure title. Clarity is generally appealing, with detail satisfactory on ornate costumes and facial surfaces. Ballroom activity is also open for survey, and castle interiors retain their artificial appearance. Colors are acceptable, enjoying a boost of hues with partygoers and their bright outfits, while the killer on the loose arrives covered in vivid red. Skintones are natural. Delineation is satisfactory. Source is in good condition.

The 2.0 DTS-HD MA sound mix provides a louder listening event for "The Masque of the Red Death," with scoring cues aggressive at times. The chirpy synth score is pronounced throughout, threatening to overwhelm performances at times, with a few lines challenged along the way. Soundtrack selections are equally big. Dialogue exchanges mostly survive, handling accents and emphasis. Sound effects are defined.


"The Masque of the Red Death" never comes alive, held down by select performances that are quite awful (you guessed it – Frank Stallone) and a screenplay that wants to deliver big frights and gore, but fails to inspire any sort of suspense. Sets from "The House of Usher" are apparently recycled here, and it's easy to see why, providing Birkinshaw with some open spaces to detail luxury, while the bowels of the castle make for ideal cat-and- mouse chasing. As a production without much cash to spend, "The Masque of the Red Death" looks passable, but visual achievements hardly support the endeavor, which sinks into silliness almost immediately, never managing to reach a B-movie fury.

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