6.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A teen and his girlfriend make an atomic bomb with plutonium stolen from a scientist dating his mother.
Starring: John Lithgow, Christopher Collet, Cynthia Nixon, Jill Eikenberry, John MahoneyThriller | Insignificant |
Sci-Fi | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
Marshall Brickman is perhaps best known for his collaborations with Woody Allen, co-scripting efforts such as “Sleeper,” “Manhattan,” “Manhattan Murder Mystery,” and the Academy Award-winning “Annie Hall.” It’s an impressive resume, but Brickman’s directorial output isn’t quite as stunning, encountering rough creative seas with 1980’s “Simon” and 1983’s “Lovesick.” 1986’s “The Manhattan Project” may not be a towering achievement of cinematic craftsmanship, but it’s the best thing Brickman helmed during his career, guiding an exciting and idiosyncratic thriller that played into the nuclear fears of the era (unfortunately, little of that has faded away in our current volatile age) while remaining an effective teen-centric offering, investing in smart characters and complex situations. “The Manhattan Project” isn’t above a dramatic manipulation or two, but it carries confidently, trying to explore a real-world scenario of human fallibility and intelligence, with Brickman working to achieve a nail-biting tone to preserve the escapist qualities within this sobering film.
The AVC encoded image (1.85:1 aspect ratio) presentation remains bright and crisp throughout. Despite its gloomy premise, "The Manhattan Project" is actually a colorful picture, with distinct primaries emerging from costuming and home decoration, while more exaggerated hues, including the green goo of the plutonium, registers with precision. Skintones are equally distinct and natural. Detail is healthy, pinpointing location particulars and science displays, making it easy to follow Paul's work, and facial close-ups keep their tense responses to panicky situations, registering subtle changes in fear. Delineation is secure, never lost to solidification. Grain is fine and filmic. Source is clean, without points of damage.
The 2.0 DTS-HD MA sound mix isn't working with an elaborate design, but it captures the general activity of "The Manhattan Project" nicely, with sound effects coming through crisply, along with the bustle of lab work and science fair displays. Dialogue exchanges are precise, preserving the volatile dramatic range, never reaching distortive extremes. Scoring needs are supportive with satisfactory instrumentation, taking command when needed.
Making a wonderful double feature with 1983's "War Games," "The Manhattan Project" ultimately leads to its message-minded finale, but Brickman isn't about to slather on condemnation. Instead, he lightly butters the truth with appealingly goofy depictions of science fair geeks and a ticking clock finale, ratcheting up suspense while working in potent reminders of global threat, personal corruption, and scientific tinkering. There are laughs and nail-biting sequences to get the effort across the finish line, with Brickman making sure the film remains as entertaining as it can be while still delivering its intended point of view. "The Manhattan Project" is a smart, exciting movie, but that it dares to take its characters seriously is a special achievement, giving the picture welcome texture as it manages raging hormones and nuclear dreams.
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