6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Dr. Leon Kravaal develops a potential cure for cancer, which involves freezing the patient. But an experiment goes awry when authorities believe Kravaal has killed a patient. Kravaal freezes the officials, along with himself. Years later, they are discovered and revived in hopes that Kravaal can indeed complete his cure. But human greed and weakness compound to disrupt the project...
Starring: Boris Karloff, Roger Pryor, Jo Ann Sayers, Stanley Brown (I), John DilsonHorror | 100% |
Mystery | 13% |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available on Blu-ray as a part of
Karloff at Columbia.
Boris Karloff has one of the more amazing filmographies in the annals of show business history, with the IMDb listing over 200 (!) acting credits for
the
venerable
performer. One of the kind of interesting if at times kind of weirdly unstated aspects of that success is the fact that Karloff managed his career in
at least some of the
1930s
and 1940s without the traditional “seven year contract” that was regularly doled by the major Hollywood studios in the Golden Age of filmmaking.
In
fact, many online biographies of Karloff don’t even mention any contracts, though the fact that a 1931 contract Karloff signed with
Universal
fetched over eleven thousand dollars in an auction is certainly more than enough evidence that (of course) some kind of contract was
signed
for various appearances. That said, Karloff at Columbia provides clear separate evidence that Karloff, unlike many other major
stars
of that same general period, was never officially tied down to one particular studio (many film fans almost automatically associate Karloff with
Universal during this period), at least for any extended period of time. The fact that Karloff was
also a guiding light behind the then nascent Screen Actors Guild may give credence to the hunch that Karloff was eerily prescient in being able to
see
that a studio’s contractual “hold” over a performer was something to be avoided, not chased, in an awareness that arguably came years before
such
heavyweights (and, notably, women) as Olivia de Havilland and Bette Davis started actual legal proceedings to chip away at the “seven year
indentured servitude” that
studios often required of their stars. Eureka Entertainment has now assembled six of Karloff's Columbia features made between 1935 and 1942
(the same period when Karloff was also appearing in films bearing the studio imprimaturs of everyone from Universal to Monogram to RKO) in an
appealing set that may not
include any outright masterpieces, but which show quite clearly just how versatile an actor Karloff was.
The Man With Nine Lives is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.33:1. This is one of the less pleasing looking transfers in the set, though it's certainly watchable. A lot of the dark cave material features a pretty gritty looking grain field, and there are noticeable fluctuations in brightness and contrast that the supposedly shadowy environments probably only exacerbate. Damage is more recurrent in this presentation, and it looks to me like the final reel or so was sourced from an inferior and badly damaged 16mm element. In its better moments, as in an earlier scene that takes place outdoors in a seaside locale, things can look relatively well detailed and sharp.
The Man With Nine Lives features an LPCM 2.0 Mono track that, like some others in this set, reveals a bit of hiss and crackle, especially noticeable in the opening credits. Dialogue and effects sound decently full bodied and there are no major issues with distortion or damage. Optional English subtitles are available.
I had to laugh when I noticed that the surnames of the doctors Karloff plays in this film and The Man They Could Not Hang each had double a's in them, as if some studio honcho type had insisted, "Yeah, that needs to be repeated!" There are a number of other repetitions that occur here which are more than evident if you watch the two films in rapid succession, but the whole "frozen therapy" aspect of this particular story gives The Man With Nine Lives an almost off the (frozen?) wall aspect. Video has some issues, but audio is relatively secure, and the accompanying commentary very enjoyable, for those who are considering a purchase.
(Still not reliable for this title)
Eureka Classics
1941
Eureka Classics
1942
Eureka Classics
1940
Eureka Classics
1939
Eureka Classics
1935
1972
Indicator Series / Standard Editon
1961
Eureka Classics
1939
1940
1987
1956
1944
Totally Uncut and Remastered
1979
1959
Indicator Series
1974
1982
2016
2016
Tentacoli / The Italian Collection #77
1977
Dual Format
1955