6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A beautiful nightclub singer identifies her husband's corpse -- or thinks so.
Starring: Rod Cameron, Vera Ralston, Mike Mazurki, Gerald Milton, Richard KarlanCrime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
BDInfo verified
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 4.0 |
There’s nothing particularly special about 1958’s “The Man Who Died Twice,” but it delivers a meat-and-potatoes crime story with relative ease. Directed by Joseph Kane (“The Yellow Rose of Texas”), the picture offers viewers time with very bad people and a mystery involving murder, drugs, and deception. And there’s a little feline torment in there as well. “The Man Who Died Twice” is pulpy entertainment with a limited scope, but Kane understands what’s expected of him, handling the screenplay’s acts of intimidation and burgeoning violence well.
Billed as a "Brand new HD master from a 4K scan," "The Man Who Died Twice" arrives with an AVC encoded image (2.35:1 aspect ratio) presentation, and the results are impressive. Dealing with highly detailed faces, texture remains a priority here, delivering clear facial particulars, and costuming offers touchable fabrics. Sets also offer decorative highlights that are easily surveyed. Delineation is tight, and whites are settled, helping to balance a movie shot in "Naturama." Grain is fine and filmic. Source is largely clean, but more pronounced scratches are on display in the final reel.
The 2.0 DTS-HD MA sound mix offers a straightforward blend of elements, with dialogue exchanges offered clarity and consistency. Voices sound loud, and snappy lines aren't lost. Scoring is simple but supportive, emerging with power when called on to add suspense. Sound effects retain snap.
"The Man Who Died Twice" tries to liven up the proceedings with assassinations and car chases (the rear projection work is so hilariously speedy, every car ride looks like a NASCAR race), but the real charm of the movie comes from the characters, a few emerging as merciless, quick with threats and guns, while there's also a little old lady whose nosiness plays an important part in the story. Again, nothing builds to shocking reveals, but the general ride of "The Man Who Died Twice" is smooth and enjoyably antagonistic.
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