6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Mad Scientist, Dr. Henryk Savaard, is obsessed with bringing the dead back to life. The police are alerted of Savaard's activities by his assistant's girlfriend. Savaard is arrested, convicted and sentenced to hang. He vows revenge on the judge, jury and district attorney. After the hanging, his assistant claims Savaard's body and uses Savaard's technique on it. Savaard is brought back to life. Now he can seek sweet revenge on his prosecutors...
Starring: Boris Karloff, Lorna Gray (I), Robert Wilcox, Roger Pryor, Don BeddoeHorror | 100% |
Sci-Fi | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available on Blu-ray as a part of
Karloff at Columbia.
Boris Karloff has one of the more amazing filmographies in the annals of show business history, with the IMDb listing over 200 (!) acting credits for
the
venerable
performer. One of the kind of interesting if at times kind of weirdly unstated aspects of that success is the fact that Karloff managed his career in
at least some of the
1930s
and 1940s without the traditional “seven year contract” that was regularly doled by the major Hollywood studios in the Golden Age of filmmaking.
In
fact, many online biographies of Karloff don’t even mention any contracts, though the fact that a 1931 contract Karloff signed with
Universal
fetched over eleven thousand dollars in an auction is certainly more than enough evidence that (of course) some kind of contract was
signed
for various appearances. That said, Karloff at Columbia provides clear separate evidence that Karloff, unlike many other major
stars
of that same general period, was never officially tied down to one particular studio (many film fans almost automatically associate Karloff with
Universal during this period), at least for any extended period of time. The fact that Karloff was
also a guiding light behind the then nascent Screen Actors Guild may give credence to the hunch that Karloff was eerily prescient in being able to
see
that a studio’s contractual “hold” over a performer was something to be avoided, not chased, in an awareness that arguably came years before
such
heavyweights (and, notably, women) as Olivia de Havilland and Bette Davis started actual legal proceedings to chip away at the “seven year
indentured servitude” that
studios often required of their stars. Eureka Entertainment has now assembled six of Karloff's Columbia features made between 1935 and 1942
(the same period when Karloff was also appearing in films bearing the studio imprimaturs of everyone from Universal to Monogram to RKO) in an
appealing set that may not
include any outright masterpieces, but which show quite clearly just how versatile an actor Karloff was.
The Man They Could Not Hang is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.33:1. Overall this is at least a marginal step down from the relatively secure transfer The Black Room received, with a more noticeably worn element than with regard to the first film in the set, something that's obvious from the get go with the recurrent white flecks that show up during the credits sequence (and well beyond). But the oddest thing I encountered was a really peculiar stuttering issue which afflicted the first few minutes on two different occasions when I started watching the film. The first time it abated after a little while, but what I discovered the second time is that simply hitting the rewind button and then moving forward again alleviated it. It's a very strange anomaly and one I'm not sure I've ever encountered before. Moving beyond that issue, this has a somewhat more "dupey" look generally, with a more mottled, rough looking grain field and a slight but noticeable downturn in detail levels. Brightness and contrast tend to fluctuate at times (compare screenshot 7 with some other screenshots of interior scenes for an example).
The Man They Could Not Hang features an LPCM 2.0 Mono track that has a bit of background hiss and crackle at the opening, but which otherwise offers a decent enough accounting of dialogue, effects and score. There's a slightly boxy sound to the music in particular, but the rest of the track sounds reasonably full bodied. Optional English subtitles are available.
Kind of hilariously, while it's the first of Columbia's so-called Mad Doctor Series with Karloff, in some ways it can feel like the most derivative. Still, this film is the one that undeniably introduced a whole host of plot elements which Columbia would continue to recycle in various ways in the subsequent Mad Doctor films. Video has some hurdles but audio is relatively fine, and the commentary is very enjoyable, for those who are considering a purchase.
(Still not reliable for this title)
Eureka Classics
1940
Eureka Classics
1941
Eureka Classics
1935
Eureka Classics
1940
Eureka Classics
1942
1955
Indicator Series
1958
1972
Double Play
1964
1978
1940
1967
1944
Warner Archive Collection
1958
2019
1956
1955
The Vanishing Body / Masters of Cinema
1934
Gli orrori del castello di Norimberga
1972
1963