7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A German scientist murders his fiancée during World War II when he learns that she has been selling the results of his secret research to the enemy.
Starring: Peter Lorre, Karl John, Helmuth Rudolph, Johanna Hofer, Renate Mannhardt| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
German: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
Note: This film is available on Blu-ray as part of the
World Noir Vol. 3 set from Radiance Films.
Radiance has been aggregating some interesting examples of "global noir" for a few years now, starting with late 2023's World Noir Vol. 1 (which I was not sent to review) and
then World Noir Vol. 2 several months later in August of
2024. Now around a year after their "sophomore" offering, the label is releasing this rather interesting trio of films, one which includes Peter Lorre's
only directorial credit, a
somewhat Sirkian (or perhaps more appropriately Todd Haynes-ian) take on a supposedly secret "alternative lifestyle", and a final effort featuring a
star turn by
the inimitable Michel Simon. As with the previous set I've personally reviewed, this set also offers some very worthwhile supplemental material. It
may be of interest to some that as of the writing of this review, there is already a World Noir Vol. 4 on tap from Radiance in just a few more months.


The Lost One is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.37:1. Radiance sent a check disc for purposes of this review, and so I'm not privy to any verbiage about the transfer in an insert booklet, but their website states that this is a "high definition digital transfer presented on Blu-ray for the first time with English subtitles". It's perhaps salient to note that this is the sole film this collection without any prefatory cards detailing a restoration (there's a German Film Institute masthead, but without any restoration verbiage), and considering the film's troubled reputation, it simply may not have been curated very carefully, as this is the least pleasing looking transfer in the set. There's some noticeable image instability throughout the opening credits, something that does quiet down, but the presentation is afflicted with quite a bit of damage, including some at times very noticeable scratches (see screenshot 9). Densities and contrast can also waver from time to time, both of which can at least slightly affect detail levels. On the whole, though, in close-ups where sufficient lighting is employed can offer rather nice fine detail levels on all the practical elements like costume fabrics and patterns on sets and props. There is observable grain throughout, but I frankly wondered if the condition of the element necessitated some kind of "grain management", as it's not quite as noticeable as I might have expected.

The Lost One features LPCM 2.0 Mono audio in the original German. As with the other films in this set, the opening music can show unmistakable signs of distortion and breakup, and later once the film kicks in, background hiss and occasional other signs of age related wear and tear like pops and such can be heard, but on the whole the track doesn't really offer many obstacles to overcome. This is by and large a dialogue driven enterprise, and all spoken material is delivered cleanly and clearly throughout. Optional English subtitles are available.


The Lost One was actually a pretty brave move on Lorre's part at the time, and if it wasn't completely appreciated back in 1951, it certainly deserves wider recognition today. Technical merits are improvable but not overly problematic, and the supplements very enjoyable and informative. Recommended.
(Still not reliable for this title)

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