9.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom in order to destroy the One Ring. Aragorn struggles to fulfill his legacy as he leads his outnumbered followers against the growing power of the Dark Lord Sauron, so that the Ring-bearer may complete his quest.
Starring: Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean AstinAdventure | 100% |
Action | 87% |
Epic | 67% |
Fantasy | 65% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, French, Spanish, Dutch
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
Movie | 4.0 | |
Video | 0.0 | |
Audio | 5.0 | |
Extras | 0.0 | |
Overall | 4.0 |
NOTE: As of this writing, this title is only available as part of The Lord of the Rings: The Motion Picture Trilogy 4K.
Peter Jackson's The Lord of the Rings trilogy broke new ground in the fantasy genre by shooting all three films back-to-back; in all, the entire trilogy took over eight years to complete and cost nearly $300 million. The gamble paid off, and its massive critical and commercial success makes it one of the most ambitious and fully-realized epics in film history. The Return of the King is the final chapter in the trilogy and closes things out in a big way, unleashing a torrent of epic battles and character send-offs that, multiple endings aside, is as clean a landing as most fans were hoping for.
This theatrical cut, much like its extended edition counterpart, has long been available in a variety of home video formats, both as a
stand-alone release and part of a trilogy collection. Warner Bros.' 4K edition ups the A/V ante with an outstanding 2160p transfer -- which does
not include any redone special effects, thank goodness -- and a terrific Dolby Atmos audio mix, both of which bring Middle Earth to life in new
and unexpected ways.
NOTE: This screenshots for this review are from a previous Blu-ray edition of the film.
With absolutely no expections, this theatrical cut of The Return of the King looks as great as -- or better than -- the other chapters in the trilogy. Once again, Warner Bros.' 2160p trasnfer serves up a marvelous picture that balances crisp image detail with fantastic use of HDR enhancement, which also paves the way for deep, inky blacks and brilliant whites at critical moments. From the start, Smeagol's idyllic but fateful fishing trip reveals the natural splendor that dominated Fellowship and was sprinkled through The Two Towers but, even though the film doesn't return to that type of serene atmosphere until its conclusion(s), it quickly reminds viewers of the visual experience they're in for.
Through every step of this final leg of the journey, the image remains impressive. Those stunning HDR colors -- which, again, dramatically increase mid-range contrast levels and depth -- are put to use countless times: during Arwen's dream of a life with Aragorn, Gandalf's ride to Minas Tirith and its rugged stone walls (and surprisingly well-kept lawn), the haunting emerald glow of Minas Morgul, the sunlit interior of Gondor's Tower Hall, an evening twilight meeting between King Theoden and niece Eowyn, the fiery Wolf's Head, and Mount Doom's violent eruption. These moments burst with such an immediately strong and captivating appearance that it's really hard to put into words -- the effect creates heightened realism while still feeling grounded within the trilogy's rather wide visual boundaries.
Wide swaths of the film also impress as much as singular moments, such as the palpable depth and detail of massive armies during the film's climactic centerpiece, the Battle of the Pelennor Fields, which showcases its more detailed CGI textures and expansive wide shots that attempt to organize all the chaos. Closer to the action, other elements also impress such as well-defined clothing and armor textures, including Eowyn's glittering chain mail and helmet. But everything comes full circle visually during the film's multiple endings, many of which are imbued with a soft and comforting haze that add a wonderfully light texture to a final chapter filled with so many hard edges.
All things considered, Return of the King looks the best -- and by that, I mean most consistent -- of the three films, which isn't surprising since its more sophisticated CGI effects are blended better with the live-action footage. It'll never be perfect but, for a film and trilogy fast approaching the 20-year mark (!), it's made a great transition to the world of 4K. Simply put, most everything looks as good on the screen now as it's always existed in your imagination.
Once again, the Dolby Atmos track brings plenty of weight and presence to what is, pound for pound, the most action-filled entry in the trilogy. Obviously the most impressive stretch from a sonic perspective is the Battle of the Pelennor Fields, which features no shortage of discrete channel effects and strong separation, all of which cleanly establish a very wide sound stage that rarely lets up. Other moments also feed into the effectiveness of Atmos' height channels including Nazguls flying overhead, the near-silent approach of the giant venomous spider Shelob, and the foreboding scale of Mount Doom before, during, and after its violent eruption. Other scenes and moments scale back the height but are no less impressive from a surround perspective such as Gollum's tortured split personalities, the echoing rumble of distant thunder, and the Witch-King's sinister voice, not to mention Howard Shore's sweeping and dramatic music cues, which earned him an Oscar for Best Original Score (along with his work on Fellowship).
As always, dialogue remains crystal-clear with no source defects and the LFE is often thunderous, with everything balanced perfectly to really bring every element of the action and drama to roaring life. In every respect, it's another top-tier Atmos mix that, even when folded down to Dolby TrueHD 7.1 (or further still, depending on your particular setup), remains a truly impressive sonic presentation that easily surpasses earlier home video releases.
Optional dubs and subtitles (including English SDH) are included in a variety of languages listed above, while the forced subtitles for select lines of Elvish dialogue are also still present.
No bonus features are included on this 4K movie-only disc.
Return of the King ends the LOTR trilogy in grand fashion and, though it doesn't quite have the same consistency of the first two chapters, it features many of the most epic and memorable moments. Warner Bros.' new 4K edition boasts an excellent new 2160p transfer with terrific color and fine detail, as well as a stunning Dolby Atmos mix. It's currently only available as part of The Motion Picture Trilogy 4K set which contains no extras but, even if that changes in the future, this is still an outstanding presentation of a very durable and entertaining film.
Theatrical Edition
2003
2003
Theatrical Edition
2003
Extended Edition
2003
2003
Extended Edition
2003
Extended Edition
2003
Extended Edition
2003
2003
2003
Extended
2003
Theatrical Version | Remastered
2003
Extended Edition
2003
(Still not reliable for this title)
2002
Theatrical Edition
2001
Extended Edition
2012
Extended Edition
2013
Extended Edition
2014
2011-2019
1980
1999
2019
2010
2016
2012
2005
2002
1977
1983
Ultimate Collector's Edition
2009
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2003
2014