6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
After leaving his U.S. Army job in Germany, a trucker takes a long-haul driver job in Britain where he runs into an organized-crime syndicate that controls the trucking industry.
Starring: Victor Mature, Diana Dors, Patrick Allen, Gene Anderson, Peter Reynolds| Film-Noir | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
| Mystery | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.75:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 5.0 | |
| Extras | 2.5 | |
| Overall | 4.0 |
Ken Hughes' "The Long Haul" (1957) arrives on Blu-ray courtesy of Indicator/Powerhouse Films. The supplemental features on the release include new program with third assistant director Ted Wallis and focus puller Alec Burridge; new audio commentary by critics Will Fowler and Vic Pratt; vintage promotional materials; and more. In English, with optional English SDH subtitles for the main feature. Region-B "locked".

Stuck and running out of time

Presented in an aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Long Haul arrives on Blu-ray courtesy of Indicator/Powerhouse Films.
The release is sourced from an older master, supplied by Sony Pictures. This master produces visuals whose overall quality is not going to surprise anyone who has seen the remaining five films in the Columbia Noir #7: Made in Britain six-disc box set. All visuals have a stable, attractive organic appearance, and on a large screen, virtually all convey pleasing tightness. However, it is also easy to tell that in a few areas density levels can be even better, and grain exposure, while perfectly fine, can be more even. The grayscale is solid and convincing. In select darker areas, a few ranges of blacks can be managed a bit more convincingly to reveal more subtler nuances, but I do not think that crushing is an issue. Image stability is good. A few small blemishes and nicks remain, but there are no large cuts, debris, warped or torn frames to report. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
The lossless track is excellent. It must have been fully remastered when the current master was created because clarity and sharpness are very good, while stability is pretty much ideal. During the outdoor action footage, some small unevenness can be noticed, but it is clearly part of the film's original sound design, which the lossless track replicates. The music has a decent role to play, but the dynamic contrasts it creates are easily forgettable.


Victor Mature leads with an undisputable authority and makes everyone else around him better in The Long Haul, a British film noir that looks and behaves like a classic American film noir. However, there is quite a bit of material that also makes it easy to link The Long Haul to Henri-Georges Clouzot's masterpiece The Wages of Fear. For my money, The Long Haul and Wicked as They Come, both directed by Ken Hughes, are the best films in Indicator/Powerhouse Films' Columbia Noir #7: Made in Britain six-disc box set. HIGHLY RECOMMENDED.
(Still not reliable for this title)

Indicator Series | Standard Edition
1947

Indicator Series
1953

Masters of Cinema | Limited Edition
1955

Indicator Series
1951

Premium Collection
1950

Arrow Academy
1948

Ascenseur pour l'échafaud / Elevator to the Gallows
1958

Indicator Series | Standard Edition
1952

Indicator Series | Standard Edition
1949

Arrow Academy
1949

Arrow Academy
1946

Arrow Academy
1942

1950

Indicator Series
1954

Arrow Academy
1955

1955

Indicator Series
1948

Indicator Series
1995

Indicator Series | Standard Edition
1950

1955