6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
THE LONELIEST BOY IN THE WORLD is billed as a modern fairytale--except with zombies. When the sheltered and unsocialized Oliver is tasked with making new friends after the sudden and devastating death of his mother, he decides that digging a few up (literally) might be his best bet. However, when he awakens the morning after his excavating escapades, he discovers that his newly acquired friends have mysteriously come to life overnight, launching them all into a series of misadventures as they try to keep their secret safe from neighbors, classmates, and social workers alike.
Starring: Ashley Benson, Ben Miller, Susan Wokoma, Evan Ross, Hammed Animashaun| Horror | 100% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 2.0 |
If you're the sort of person for whom ALF serves as a potent piece of nostalgia rather than a half forgotten gonzo sitcom, The Loneliest Boy in the World may be the film for you, since ALF is among the television shows the title character in this film habitually watches. I'd also add that any film that begins with a source cue culled from the great discography of another half forgotten 1980s (and early 1990s) phenomenon, the fantastic UK band Go West, and then ends with a cover version of what is probably their best (only?) remembered song, "The King of Wishful Thinking", has something to recommend it, but that may be damning with faint praise. The Loneliest Boy in the World often plays like a half baked pilot for a sitcom itself, and in fact it echoes in a way the currently successful Ghosts: Season One in that the focal character is surrounded by a bunch of dead people. Ghosts features some spectacularly great looking corpses (and/or spirits), though, while The Loneliest Boy in the World is considerably more grotesque, in that the "ghosts" in this enterprise are more like zombies, magically reanimated corpses that in fact "the loneliest boy in the world" has disinterred in order to have a "new, improved" (?) family after he's left orphaned.


The Loneliest Boy in the World is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. Perhaps unsurprisingly, there doesn't seem to be a ton of technical information online that I was able to dredge up, but this is a competently captured film that I'm assuming had a 2K DI (as always with my reviews, if anyone has authoritative information, private message me and I'll happily update things here). The best thing about this presentation is its often extremely vivid palette, one which exploits all sorts of candy colored pink tones in terms of Oliver's weird domicile, while reverting to relatively more "normal" tones in a number of exterior shots. Detail levels are appealing and/or squirm inducing as the case may be throughout, with some of the ooey gooey zombie makeup looking nicely slimy. The film engages in some "retro" flourishes that mimic VHS tracking difficulties (see screenshot 3 for one example), for no apparent reason other than I guess the implied nostalgia factor. There are some passing issues with banding that can be spotted during sudden light changes and especially in a couple of prolonged fadeouts. My score is 4.25.

The Loneliest Boy in the World features an intermittently immersive DTS-HD Master Audio 5.1 track. As mentioned above, both source cues as some fun "new" music courtesy of The Invisible Men (including a rather enjoyable cover of "The King of Wishful Thinking") provide clear engagement of the side and rear channels, and a number of the outdoor scenes also offer good placement of ambient environmental effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


The Loneliest Boy in the World has a lot of style pretty desperately in search of a little substance. There's simply too much left unexplained or uncontextualized in this film for it to ever register very strongly on an emotional level, but it does offer some fun production design, for those who care about such things. Technical merits are generally solid for anyone who may be considering making a purchase.
(Still not reliable for this title)

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