6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.
Starring: Charlotte Vega, Bill Milner, David Bradley (IV), Eugene Simon, Moe DunfordHorror | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
German: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
English SDH, French, German, Portuguese, Danish, Dutch, Finnish, Norwegian, Romanian, Swedish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Those in the mood for a creepy gothic chiller might respond highly to “The Lodgers,” but the picture seems intentionally made for fans of Hammer Films and their unique legacy of horror endeavors. Director Brian O’Malley makes a distinct effort to replicate the deliberate moves of the studio’s creepy productions, and screenwriter David Turpin fills the story with enough guarded perversion and unease to maintain interest in the unfolding tale. However, “The Lodgers” is a slow-burn viewing experience, almost to a point of complete stoppage at times, finding O’Malley so caught up in the atmosphere of his work, he periodically forgets to nudge it along. There are enough macabre interests to maintain an absorbing sit, but to reach a point of actual momentum, one must accept O’Malley’s overly cautious handling of the feature’s fright factor.
"The Lodgers" mostly takes place in the dark, offering a challenge for the AVC encoded image (2.39:1 aspect ratio) presentation. Delineation remains communicative, dealing well with shadows and dark costuming, preserving frame information. Colors aren't jubilant, dealing mostly with muted period hues, but primaries are capable, while greenery is a big addition here, giving forest locations an evocative look. Skintones are accurate. Detail is satisfactory overall, with textured faces to help grasp physical decay, and village decoration is open for study. House interiors also preserve intended rot.
The 5.1 DTS-HD MA sound mix isn't quite as aggressive as expected. The track goes for a more immersive listening event than an overtly active one, but surrounds are utilized to help expand scoring needs and push out some of the household tension. Dialogue exchanges are appealing, retaining crispness, working through accents and intensity with clarity. Music retains lush instrumentation, supporting the action without overwhelming it. Low- end isn't significant, but demonic rumbling is present. Sound effects are loud and true, delivering intensity when necessary, while atmospherics are generous, providing a feel for aquatic experiences and ghostly movement.
Pokiness aside, "The Lodgers" presents some strong visual filmmaking from O'Malley, who has a distinct battle plan to present the enigmatic threat, creating some striking imagery along the way (with cinematographer Richard Kendrick) that increases eeriness, delivering satisfying payoff for troubling events. Turpin contributes some mental illness to lubricate the terror, with the twins adding to a long line of family rituals that contribute to their hellish existence. Mystery is present, along with Hammer-style gothic environments and numerous threats to the safety of the lead characters, and once "The Lodgers" finally gets going, there's much to appreciate dramatically and cinematically. It just requires more patience than usual to make it through the feature's scattered, glacial introductions.
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