6 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A young servant fleeing from his master takes refuge at a convent full of emotionally unstable nuns in the middle ages.
Starring: Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. ReillyComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.5 |
Writer/director Jeff Baena has made a positive impression during his emerging career, pulling off a horror comedy with “Life After Beth,” and achieving a cinematic miracle with “Joshy,” a movie about male bonding that wasn’t basted in ugliness. “The Little Hours” proves to be his greatest tonal challenge yet, mounting a comedy that’s not always pursuing laughs, and its target is repression found in organized religion. It’s a gamble from Baena, likely alienating a great number of potential viewers right out of the gate, but he mostly sticks the landing, finding ways to scrape out the blasphemy by playing it all so broadly, making a film that certainly has the potential to reach farcical highs, but pulls back a bit too often, perhaps afraid to really dive into the weirdness of the material.
The new release of "The Little Hours" replaces the previous BD-R offering with a pressed disc. The AVC encoded image (2.38:1 aspect ratio) presentation deals with an inherently limited color palette, as most costuming and interior decoration remains black and white, reflecting the religious severity of the material. Colors show strength with greenery, which is lush and inviting, and skintones remain natural. Sunlight provides a warm, amber glow. Detail is sharp, picking up on wrinkles and worry, and nature is precise. Delineation is relatively strong, only teasing solidification during evening adventures.
The 5.1 DTS-HD MA sound mix deals with softer sounds and stranger timing, leading with crisp, clear dialogue exchanges that secure mumbled and hushed performances, and identifies group activity. Voices are nuanced throughout. Scoring delivers the only sense of low-end the picture requires, offering pleasing percussion and a creative tinkering with period instruments. Surrounds aren't hectic, but atmospherics are welcome, detailing nature walks, rushing waters, birds, and elements of witchcraft. However, the listening experience is largely frontal, which suits the mood of the movie just fine.
New:
Disrupting "The Little Hours" with sin isn't Baena's brightest idea, but the feature remains quite funny, eased along by pros like Shannon (who always plays cluelessness wonderfully), Reilly, and Offerman, who nails early scenes as a blowhard king trying to figure out who's sleeping with his bored wife. Insanity increases as the story unfolds, reaching hysterics in the third act that feel a bit excessive, as though Baena really had no idea how to end the effort, but the cast (including Fred Armisen, who portrays a visiting bishop) sells swelling disorder around the convent with confidence, generating nervous energy the production is searching for. "The Little Hours" feels a little too slapdash at times, but it remains a wily film with an effective sense of humor, adding to Baena's growing list of accomplishments as he tests out all kinds of bizarre comedy.
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