7.2 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.
Starring: Terence Stamp, Lesley Ann Warren, Luis Guzmán, Barry Newman, Nicky KattCrime | Insignificant |
Drama | Insignificant |
Mystery | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1
English, English SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.5 |
Lionsgate continues to baffle with its 4K UHD release regimen with The Limey. Despite receiving some considerable acclaim at the time of its release, and even a passing whisper or two that Terence Stamp might get an Academy Award nomination for the film (he didn't), The Limey has been a curiously underappreciated gem in the filmography of both Stamp and perhaps especially Steven Soderbergh, which admittedly might account for the lack of even a 1080 Blu-ray release on this side of the pond (until now). That said, the UK branch of Lionsgate released The Limey around two years ago, without any fanfare that I'm aware of (I receive PR from global firms on a daily basis). Now the stateside branch of Lionsgate is releasing The Limey in both 4K UHD and 1080, with SteelBook packaging just to make this all the odder (for those who pay attention to how releases are marketed, anyway). Kind of interestingly in that regard, Lionsgate has done some marketing outreach for this release, which is not always the case with this studio when they partner with Best Buy for exclusive SteelBook packages (as those who have read Randy Miller III's Dirty Dancing 4K Blu-ray review may recall).
Note: Screenshots are sourced from the 1080 disc in this package.
The Limey is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.78:1. This is yet another Lionsgate release that
offers a debut 1080 release on this side of the pond, and so this section will address both formats. Though Lionsgate's press packet accompanying this
release didn't really provide much in the way of technical information, Svet's review mentions that the UK Lionsgate release was sourced from a 4K
restoration supervised by Steven Soderbergh, and I have to assume that this same source was utilized for this release. Whatever the weirdnesses of
Lionsgate's 4K UHD releases have been, they at least occasionally hit it out of the park, and I'd argue that both the 1080 and 2160 releases included in
this package are stupendously enjoyable. Svet understandably mentions the incredible range of tones the palette of this film offers, and which I've
attempted to give even more examples of here in addition to the screenshots included in Svet's review, and while the 1080 version is just flat out
tantalizing virtually all of the time, the 4K UHD version's HDR and/or Dolby Vision add an entirely new luster to things, and the wider range of tones is
clearly discernable. I found it especially noticeable in a wide range of green framings (pay attention to some of the scenes with Guzman in particular),
and additionally there are some almost ice cold blue highlights in some sequences in the 4K UHD version that aren't quite as prevalent in the 1080
version. On the warmer end of the spectrum, there's an almost autumnal burnt orange quality to some of the yellow graded material in the 4K UHD
version. Already superb detail levels in the 1080 version enjoy at least a marginal upgrade in the 4K UHD version. The wide variety of grain structures
is beautifully resolved, and this is a great example of 2160 resolution not providing a kind of "dirty" looking grain field even when things get
positively chunky at times. There are some brief archival excerpts of a young Terence Stamp in Ken Loach's Poor Cow that are presented in a kind of quasi-sepia tone despite having been shot in color (see screenshot
17).
While the menus on both the 2160 and 1080 discs have only a generic "Dolby 5.1" descriptor, thankfully it's Dolby TrueHD 5.1, and the audio presentation, while arguably not quite as consistently gobsmacking as the video side of things, is still nicely robust and very immersive. From the very get go, before imagery even starts, there's a nice wash of what sounds like the ocean and Stamp's inimitable voice, and then the first of several great source cues clearly engages the surround channels. Over and over again the deliberate layering and refraction of isolated bits of dialogue can be offered in discrete channels, offering the sonic equivalent of a spaced out drug experience. Fidelity is excellent throughout and dynamic range is very wide for what amounts to a film where the "action" elements are almost presented as throwaways in the background. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.
Both the 4K UHD and 1080 discs included in this package offer the same supplements:
The Limey didn't really seem to connect with audiences very substantially when it was originally released, but after a couple of decades of other, less substantial, ADHD-esque productions, it comes off as decidedly more literate and compelling, even if its presentational disjunctive qualities are almost an intentional obstacle at times. This is a film that pretty much demands absolute surrender, with an understanding that it's in its own way attempting to provide "simultaneous" streams of information from a variety of timeframes. The result is almost as baffling as Lionsgate's 4K UHD release strategy, but in my estimation, more consistently entertaining (and, yes, that's a joke). Technical merits are first rate, and the commentary by Soderbergh and Dobbs in particular is quite interesting. The SteelBook packaging will simply be the icing on the cake for some prospective purchasers. Highly recommended.
1948
1956
1946
Warner Archive Collection
1944
1951
Deluxe Edition
1949
I Became a Criminal / Kino Classics Presents
1947
Reissue | Special Edition
1948
1964
1975
1966
4K Restoration
1973
1967
1988
1955
1942
1981
1932
Warner Archive Collection
1956
Concrete Jungle
1960