7.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Internationally famous oceanographer Steve Zissou and his crew set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou's partner during the documentary filming of their latest adventure.
Starring: Bill Murray, Owen Wilson, Anjelica Huston, Cate Blanchett, Willem Dafoe| Drama | Uncertain |
| Comedy | Uncertain |
| Adventure | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.37:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.0 |
Note: This version of this film is available as part of Criterion's The Wes Anderson Archive: Ten Films, Twenty-Five Years 4K.
Considering Wes Anderson's penchant for symmetry and Academy Ratio framings, at least at times, about the only problem some diehard Anderson
fans
may have with Criterion's impressive new set documenting "10 films and 25 years" may be that it's in a rectangular rather than a
square box. That oversized box measures nearly 13" wide by 7 1/2" high by 3 1/2" deep and which some "liner notes" from Anderson joke is
"upholstered in a sort of burlap canvas". It has a magnetized hinged
cover that opens to display ten individual DigiBooks, one for each Anderson film, and each offering two discs, 1080 and 4K UHD, along with a sewn
in
pamphlet devoted to that film. While all of the films
have had previous 1080 releases (not necessarily by Criterion), this set offers the 4K UHD debuts of each film.


Note: This is an interesting release from Criterion in that the 4K and 1080 discs offer different aspect ratios (see below). I typically try to
shy away from screenshots sourced directly from 4K discs, since the downscaling to 1080 and (especially) SDR makes things look inaccurate, but in
this case I'm offering a few screenshots from each resolution / aspect ratio. Screenshots 1 through 3 are from the 1080 disc, and screenshots 4 and
5
are from the 4K disc and come with the above caveat about accuracy.
The Life Aquatic with Steve Zissou is presented in 4K UHD courtesy of Criterion with an HEVC / H.265 encoded 2160p transfer which our
site
measuring tool indicates is in 2.37:1. The pamphlet included with the DigiBook has the following information on the master:
The Life Aquatic with Steve Zissou is presented in the aspect ratio of 2.40:1 on the 4K Ultra HD disc and 2.35:1 on the BLu-ray. Supervised and approved by director Wes Anderson, the new 4K restoration presented on the 4K UHD disc was created from the 35 mm original camera negative and the 35 mm digital negative. The original 5.1 surround soundtrack was remastered from the 35 mm magnetic track. The feature is presented in Dolby Vision HDR (high dynamic range) on the 4K UHD disc and high definition SDR (standard dynamic range) on the Blu-ray.I'm kind of passingly curious as to the mention of using both the original camera negative and the digital negative, but haven't been able to find any real information about this verbiage, which is unique to this film in the set as far as I've gotten (as of the writing of this review, I've covered the two standalone entries and everything up through this film in chronological order). That passing question aside, the palette changes courtesy of the Dolby Vision / HDR grades on the 4K UHD disc may offer the strongest initial impression for those acquainted with the 1080 presentation from years ago, and I have to say in this particular instance it may take me a while to get used to some of them. One notable difference is the newly orange skew in some of the reds, notably the knitted caps worn throughout, but there are any number of really interesting highlights or nuances in this version that to my eyes are some of the most noticeably different from previous 1080 versions in the films in the Anderson set I've gotten through thus far. Blues have a noticeably wider range of tones, from almost teal to royal, and yellows are also more vivid in this version. Whole vignettes, like the opening piece in the theater, can have a more burnished, slightly red-brown, quality. On the detail side of things, there are both pluses and minuses. All of the "real" footage looks fantastic, and fine detail on things like those aforementioned knit caps tends to be excellently precise. Some of the supposed "videos" probably only look more distressed at this resolution, and I'd even say some of the changes to the palette in these interstitial moments are quite noticeable as well. As I mentioned in my review of Rushmore, which also has different aspect ratios on the 4K and 1080 discs the change in aspect ratio is obviously relatively small and what I'd term fairly subliminal in my estimation, and none of the framings really struck me as materially altered. Grain resolves naturally throughout.

The Life Aquatic with Steve Zissou features a nicely immersive DTS-HD Master Audio 5.1 track. Longtime readers of especially my music
centered reviews know I'm a huge fan of Brasilian music, and I actually had the soundtrack to this film before I saw it when I saw Seu Jorge's name
alongside Wes Anderson's on the CD credits. I'm probably going to commit a bit of aural heresy, but Jorge's renditions of David Bowie tunes in this film
are frankly not my favorite work of his, but they all sound great, if kind of ironically probably a bit less dispersed than some of the ambient
environmental effects simply due to the fact that it's just Jorge with his guitar. The glut of outdoor material provides regular immersion (maybe in more
than one way, given the watery setting). Other underscore (once again by Mark Mothersbaugh) is also spaciously presented. Dialogue is rendered
cleanly and clearly throughout. Optional English subtitles are available.
Note: For those wanting a little trivia, some may know Seu Jorge has also "just" acted in other films, and that he also counts the legendary
Milton Nascimento as among his idols. In that regard, my now pretty ancient Fitzcarraldo Blu-ray review may offer an interesting tidbit for some.

Note: More information on the supplements is available in Svet's review, linked to above.
4K UHD Disc

Adding to my possible aural heresy confessed to above, as a pretty inveterate Wes Anderson fan I have to say this is probably my least favorite film of his and may ironically have been Anderson's own unobtainable Moby Dick (so to speak). Still, there's quirkiness unabated once again, and the 4K UHD presentation sports solid technical merits, with all of the previous supplements on the 1080 disc also enjoyable. Recommended.
(Still not reliable for this title)

2007

Director's Cut
1998

2001

1996

Complete 3 Part Miniseries
2005

1996

2011

2012

2014

2012

2021

Warner Archive Collection
1935

2000

2016

1983

1931

E la nave va
1983

2016

1989

1917