4.6 | / 10 |
Users | 4.3 | |
Reviewer | 2.0 | |
Overall | 3.6 |
A love story between the son of Zeus and the mortal princess of Crete, who was promised to his older brother despite her love for Hercules.
Starring: Kellan Lutz, Gaia Weiss, Scott Adkins, Roxanne McKee, Liam GarriganAdventure | 100% |
Action | 98% |
Fantasy | 79% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1
Spanish: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
UV digital copy
Blu-ray 3D
Slipcover in original pressing
Region A (locked)
Movie | 1.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 2.0 |
Have we entered a new “golden age” of sword and sandal entertainment? Game of Thrones continues to command spectacularly large audiences on television, and while Spartacus never quite took off into the stratosphere, it did well enough to battle it out in the cable arena for three seasons. And now 2014 is bringing viewers two—count ‘em—versions of the venerable Hercules saga, once the respite of Italian based muscle bound Americans like Steve Reeves. While The Legend of Hercules was intermittently hyped under a kind of funny array of different titles, unlike Shakespeare’s vaunted rose, this film would probably stink no matter what label were to be applied to it. The 1958 Steve Reeves Hercules and its 1959 follow up Hercules Unchained had a certain goofy innocence about them that made them, if not instant classics, at least genial enough entertainments for their intended younger audiences. Boomers growing up in the sixties who started catching the films on television broadcasts were able to view them through a heavy filter of Sontagian “camp”, something that only increased their allure for oh, so cynical hipster types. None other than The Hulk himself, Lou Ferrigno, attempted to reboot the Hercules franchise with his take on the character in 1983, and if that attempt was decidedly lackluster, even it had its own silly, small scale charms, albeit on an admittedly lo-fi level. Senses of humor helped to redeem both Disney’s 1993 Hercules (still one of its better films from this era, and one which is still missing on Blu-ray) and Kevin Sorbo’s television outing which debuted in 1995 and lasted for a few years. Unfortunately, there’s little intentional camp, and absolutely no humor, in Renny Harlin’s film. Harlin, a director who often takes himself deadly seriously, traffics in every hoary action hero cliché in The Legend of Hercules, whether or not those tropes have anything to do with any generally agreed upon formulation of the hero’s iconic story. When there is such an abundance of lore surrounding this incredible character it seems downright foolish to traipse off into patently silly territory like a completely stale subplot involving Hercules’ (now) evil brother, Iphicles, but that's pretty much what you get with this Hercules, which is less legendary than, well, labored.
The Legend of Hercules is presented on Blu-ray courtesy of Lionsgate Films with MVC (3D) and AVC (2D) encoded
1080p transfers in
2.40:1. Shot digitally with the Red Epic, and done largely on greenscreen sets, the film has a flat, textureless look that is
sharp enough, but patently artificial looking almost all of the time. This proclivity is only exacerbated by what can only
charitably be described as less than stellar CGI offerings, many of which aren't just soft looking but actually almost look
incompletely animated at times. Harlin and DP Sam McCurdy have of course tried to inject some visual flair by relentlessly
color grading virtually every scene. The opening battle sequence is cast in a very 300-esque sepia, while several
important scenes featuring Alcmene are bathed in a deep blue palette. There are some relatively natural looking
sequences, though, including some nice scenes in a lake with Hercules and Hebe, and in these moments fleshtones are
accurate looking and fine detail (especially in close-ups) is quite commendable. Shadow detail is a bit variable throughout
the film. Some of the dank interior scenes when Hercules and Sotiris have been taken prisoner are murky and feature ill
defined contrast.
The 3D experience here is generally quite good. While Harlin does partake in gimmicky shots like arrows aiming straight at
the viewer, some of the best depth is achieved in more nuanced settings. Watch, for example, in one of the lake scenes
with Hercules and Hebe, how Harlin and McCurdy achieve visual immersion simply by framing the scene through planes of
leaves which automatically define a spatial continuum. Later effects, especially those in darker scenes, aren't nearly as
effective. A long sequence which shows Hercules' face behind bars is relatively flat looking, probably only because there's
inadequate lighting.
The Legend of Hercules' lossless DTS-HD Master Audio 7.1 mix is expectedly bombastic in the action and battle scenes, with a variety of sword slashes and bone breakings dotting the surrounds, but I was repeatedly struck more by some relatively more nuanced and subtle surround effects. There's a great scene early in the film where Alcmene goes into labor and we see Amphitryon in his huge court, where Alcmene's painful cries of delivery echo around and through the surround channels. Dialogue is very cleanly presented and frequently nicely directional. There's some forceful LFE at key moments, and Tuomas Kantelinen's score is also placed rather forcefully around the soundfield. Fidelity is excellent in this problem free track, as is dynamic range.
I like a good, old fashioned dumb movie as much as the next guy, but I need something to keep me distracted while oversized hulks beat each other senseless, and unfortunately The Legend of Hercules provided too few pluses to offset the gigantic minus created by an inartful script, shoddy CGI, and sometimes laughably bad performances. Harlin is a spotty director even in the best of times, but he usually at least gives the viewer a relatively sumptuous physical production. Sadly even that tendency is undercut here with the shockingly basic looking CGI elements. 3D enthusiasts may well want to check this out, for it offers generally consistent visual immersion. But even Hercules himself probably couldn't have saved this lumbering, stumbling film from being the worst kind of epic: an epic disaster.
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