7.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Holland, a shy retiring man, dreams of being rich and living the good life. Faithfully, for 20 years, he has worked as a bank transfer agent for the delivery of gold bullion. One day he befriends Pendlebury, a maker of souvenirs. Holland remarks that, with Pendlebury's smelting equipment, one could forge the gold into harmless-looking toy Eiffel Towers and smuggle the gold from England into France. Soon after, the two plant a story to gain the services of professional criminals Lackery and Shorty. Together, the four plot their crime, leading to unexpected twists and turns.
Starring: Alec Guinness, Stanley Holloway, Sidney James, Alfie Bass, Marjorie FieldingHeist | Insignificant |
Crime | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Charles Crichton's "The Lavender Hill Mob" (1951) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the disc include vintage introduction by director Martin Scorsese; archival interview with writer T.E.B. Clarke; excerpts from the BECTU history project interview with director Charles Crichton; and exclusive new audio commentary by film historian Jeremy Arnold. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
The bank clerk
Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Charles Crichton's The Lavender Hill Mob arrives on Blu-ray courtesy of Kino Lorber.
The release is sourced from a 2K restoration that was completed early into the high-definition format's cycle. In the United Kingdom, this restoration was initially released on Blu-ray via StudioCanal's defunct partner Optimum Home Entertainment. (You can see our review of this release here).
I like the restoration quite a lot because it is very easy to tell that it was done with the right type of awareness. What I mean by this is that in certain areas where time has left an indelible mark the visuals are not excessively manipulated with digital tools, which is the main reason why the end product has a nice organic appearance. Yes, with current technology there is room for improvement, but I think that virtually all of the adjustments that would be made will be cosmetic. For example, assuming that there are superior elements, a higher-quality scan will deliver stronger density levels that will help depth. However, the main density inconsistencies that are very obvious now will remain because a mixture of raw footage and other uniquely lensed footage are responsible for them. In other words, these inconsistencies are part of the original cinematography. Additionally, if a proper budget is available, this film can benefit from additional manual cleanup work, though the improvements will again be cosmetic. In terms of clarity and especially fluidity, I think that what is on the 2K restoration is already very good and convincing. A new grading job can be beneficial as well, but it will have to be very carefully tuned up to preserve existing nuances. All in all, I think that the current technical presentation is convincing and makes it really easy to enjoy the film. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
I think that the audio is as good as one can expect it to be for a film from the early 1950s. Yes, there is some unevenness and minor dynamic fluctuations, but it is easy to tell that they are on the original soundtrack. Clarity and depth are very good, though because there are a few thicker accents the optional subtitles can be quite helpful. If any additional improvements can be made, I think that they will be quite insignificant.
There are a number of great comedies in the Ealing catalog but The Lavender Hill Mob is the one that I enjoy the most. I just think that the humor and the action in it are extra-special, plus the political incorrectness that glues the two together makes the entire film irresistibly delightful. In the early days of the high-definition format, the first Region-B release of The Lavender Hill Mob that emerged in the United Kingdom was one of my favorite 'imports'. Kino Lorber's new release is sourced from the same good 2K restoration that was used to produce the Region-B release and retains all of the legacy bonus features. It also adds a wonderful exclusive new audio commentary by film historian Jeremy Arnold. VERY HIGHLY RECOMMENDED.
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