6.9 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.
Starring: Laura La Plante, Montagu Love, Roy D'Arcy, Margaret Livingston, John BolesHorror | 100% |
Mystery | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.2:1
Music: LPCM 2.0
None
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (A, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Considering the often outsized temperaments that accompany those who work in the performing arts, it’s probably a minor miracle that more people haven’t been murdered in a theater. In that regard, there have been at least a few stage plays and movies revolving around murder in the wings (so to speak), and in that regard, whoever is in charge of synchronicity may be toying with this particular reviewer again, as so often seems to be the case. Just recently in our Inner Sanctum Mysteries: The Complete Film Series Blu-ray review, I mentioned how that film series stemmed not just from the well known radio iteration, but from an imprint of venerable publishing firm Simon and Schuster, who had been putting out Inner Sanctum books since the 1920s, books that often (though not always) dealt with murder. One of the Simon and Schuster Inner Sanctum offerings was a 1941 detective outing by famed stripper Gypsy Rose Lee, which itself became a film with the same name as the book, The G-String Murders, documenting some unseemly activities at a burlesque joint. Fans of Cabaret songwriting team John Kander and Fred Ebb may know they had a later hit with their musical Curtains, which featured Frasier’s David Hyde Pierce as a starstruck cop trying to get to the bottom of a murder or two that takes place as a late fifties musical is on the road out of town getting ready for a Broadway opening. (Curtains includes a rather funny song called “What Kind of Man?”, which attempts to provide insight as to why anyone would want to become a critic.) These are just two examples of “backstage murder mysteries”, but much as Paul Leni’s Waxworks predates other, arguably better known, “wax dummy murder” films like Mystery of the Wax Museum, Leni’s The Last Warning is an early outing that documents murderous shenanigans taking place both onstage and backstage during the run of a Broadway play.
The Last Warning is presented on Blu-ray courtesy of Eureka! Entertainment's Masters of Cinema imprint with an AVC encoded 1080p transfer in 1.35:1. Eureka only sent a check disc for purposes of this review, and so I'm not privy to any information on the transfer that might be included in the insert booklet. A brief closing text card states that this was a 4K restoration conducted by Universal Pictures, from a 35mm nitrate dupe negative provided by the Cinémathèque française and a 16mm print provided by the Packard Humanities Institute at the UCLA Film & Television Archive. There are understandably manifest differences in clarity, detail levels and grain structure due to the differing source elements, some of which can clearly be seen by simply looking through all of the screenshots accompanying this review. There's also quite a bit of damage on display, including some rather long lived scratches that afflict the right side of the frame in particular, lots of other smaller nicks and blemishes, dirt and a couple of warped frames and even a missing frame or two. That said, detail levels are often quite appealing, and things like patterns on costumes and sets typically look at least decently precise and often better than that. Contrast is also a bit variable, some of which I'm attributing to the varying source elements.
The Last Warning features an enjoyable score by Arthur Barrow which is presented in LPCM 2.0. Fidelity is fine throughout, supporting all frequency ranges, and if the track is admittedly not overly spacious, it has a nice warmth and good energy.
- Production Stills
- Behind the Scenes
- Posters
- Trade Ads
One of the other interesting "meta" or perhaps "Trivial Pursuit" aspects of The Last Warning is that, while it was based on a Broadway play, the play was based on a story called The House of Fear by Wadworth Camp. The House of Fear was made as a film under that title in 1939, and one of the supplements suggests that the Basil Rathbone Sherlock Holmes entry The House of Fear owes at least its title to the Camp story. However, there's even another interesting trivia angle with regard to Camp: he was the father of noted science fiction writer Madeleine L'Engle, who of course gave the world A Wrinkle in Time. All of this may help some curmudgeonly viewers to look past some baroque plotting to enjoy these another "hidden" elements, as well as Leni's always superb style. Video encounters some age related issues, but audio is fine, and the supplements very enjoyable. Recommended.
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