7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
On the day Hitler assumes power, an affluent German-Jewish family comes together for dinner. Most of them-like many Germans at the time-do not take the Nazis seriously. When Leah announces her plans to emigrate to Palestine, her family talks her down. But when Michael indicates he's actually an admirer of the National Socialist Movement, the family is on the brink of being torn apart. A deeply personal and intimate chamber play.
Starring: Bruno Eyron, Sharon Brauner, Michael Degen, Daphna Rosenthal, Patrick Mölleken| Drama | 100% |
| History | 21% |
| Foreign | 5% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
German: DTS-HD Master Audio 5.1
German: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
When you pray, move your feet.That aphorism, evidently a popular historical African proverb, has gained more renown lately with regard to its use by the late John Lewis. It may seem especially salient in times riven with strife, and in that regard one need not necessarily go down the rabbit hole of current events to find salient examples of actual action rather than mere talk (or prayer) being needed. The Last Supper is a perhaps unavoidably static yet still at least intermittently bracing account of one Jewish family’s reaction to the appointment of Adolf Hitler as Reichschancellor in early 1933. While probably a bit too discursive for non-Germans to generally recognize, the film mixes in a couple of real life characters as tangents, but focuses on the Glicksteins, a family that is itself being riven with strife due to all sorts of internecine conflicts. The result is occasionally too melodramatic for its own good, but it offers some interesting commentary on "commentary", i.e., situations filled more with talking than with action.


The Last Supper is presented on Blu-ray courtesy of Menemsha Films with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists only a "DCP" in its technical data, but the closing credits mention Arri rentals, and while that doesn't necessarily mean an Arri camera, I found a few online posts on social media platforms by cinematographer Konstantin Freyer which seem to suggest (if I'm understanding the German correctly, which I may not be) that Alexas were utilized. I'm assuming things were finished at a 2K DI. Perhaps surprisingly (at least to me), this film has won several international awards for its cinematography. While the film is certainly competently shot, and this transfer boasts generally excellent detail and clarity, there's not a lot of "wow" to the visuals, with much of the film taking place at the Glickstein dinner table, where a prevalence of brown and gray tones keeps the palette decidedly on the tamped down, even drab, side of things. Per my comments above in the main body of the review, there are occasional uses of archival footage which do not blend particularly well with the cleaner, glossier look of the bulk of the presentation. The color in some of these archival moments is also (understandably) considerably less suffused and vivid than even the somewhat dreary look of the newly shot material, and at least some of the material looks blown up from smaller formats, so clarity is often not optimal (see screenshots 7 and 9 for two examples).

The Last Supper features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks, though due to the film's relentlessly talky ambience, it may be hard to distinguish between them. The surround track opens up at least a little during some of the ubiquitous underscore, but neither it nor frankly the stereo track provides a ton of separation of immersive proclivities. That said, all elements in the sound mix are offered with excellent fidelity and no problems whatsoever with regard to damage, distortion or dropouts. Optional English subtitles are available.


The basic story of a Jewish family coming to terms with Hitler's rise to power would seem to be ripe for dramatic exploration, but perhaps too often The Last Supper offers melodrama instead. There's another old aphorism, this one of Jewish genesis, that states, "Two Jews, three opinions," and the fact that you get a veritable table full of Jewish characters opining about things can make this a rather static, talky enterprise a lot of the time. Technical merits are solid for those considering a purchase.