Rating summary
Movie | | 3.0 |
Video | | 4.5 |
Audio | | 5.0 |
Extras | | 2.5 |
Overall | | 3.5 |
The Last Stand Blu-ray Movie Review
Stand and deliver.
Reviewed by Jeffrey Kauffman May 8, 2013
What’s a former Governator to do when his political career has come to a screeching halt and his former illustrious film
career is a mere shadow of its formerly extremely beefy self, both due to the inexorable effects of aging as well as to
well publicized personal foibles? Arnold Schwarzenegger has had some major image rehabilitation to undertake after
the disastrous announcement of his affair with a longtime housekeeper which had resulted in an illegitimate child, and
perhaps wisely Ah-nuld chose to stay at least partially out of the limelight, choosing supporting roles in films like The Expendables and its sequel while also hawking his not
particularly well received autobiography. Schwarzenegger found himself in a (self created) unfortunate position when
the revelations about his personal life made front page news around the world, and that resulted in the postponement
and/or outright cancellation of several film projects he had already lined up to fill up his empty days since his term as
Governor of California was coming to an end. But rather surprisingly, The Last Stand marks the first actual
starring role for Schwarzenegger in a decade, more or less. Not since 2003’s Terminator 3: Rise of the Machines has
Schwarzenegger essayed this much screen time and it becomes almost instantly obvious as The Last Stand
gets underway that he was hedging his bets on this return, making his big screen starring reappearance in an outing
that is resolutely predictable and unchallenging, and which may have been intentionally crafted to appeal to the lowest
common denominator, but which ends up being a lot more entertaining than it probably has any right to be.
There is no denying that there is a cut and paste aspect to a lot of
The Last Stand, but what may surprise some
at
least is the disparate source material that has been pirated for this particular casserole. The film takes place in a
sleepy
little Arizona town called Sommerton, which for all intents and purposes could be any village out of the storied Wild
West.
Schwarzenegger portrays Los Angeles transplant Ray Owens who is the Sheriff of this fairly crime free burg. Ray (of
course) has a past that has resulted in him leaving the big city for the “charms” of this one street enclave, but his
stress
free existence is about to be put to a major test as
The Last Stand gets underway. Films as disparate as
High Noon and
Hostage have had certain elements “borrowed” for this new film,
but the good news is that despite an undeniable déjà vu quality to much of the proceedings, the film moves along at an
exceedingly brisk pace and delivers several excellently staged set pieces, as hyperbolic as some of them are.
The film actually starts with a kind of amusing prelude where we see a California State Highway Patrolman downing a
donut (
really?) by the side of the road when something immensely fast zooms by him. When he sees his radar
gun is registering 197 mph, he phones in a report that someone is flying a jet plane without lights on.
That of
course turns out to be wrong, in spades. We segue to Sommerton, where Sheriff Owens is enjoying his day off,
something that starts to go awry when he becomes suspicious of two guys in the local diner who are ostensibly long
distance truck drivers. We soon meet Ray’s misfit bunch of deputies, all of whom would basically make Barney Fife look
like a genius. But Ray soon has other, bigger problems on his hands.
The film ping pongs to the supposed transfer of a notorious drug cartel crime boss named Gabriel Cortez (Eduardo
Noriega), a transfer which is being overseen by FBI agent John Bannister (Forest Whitaker). Needless to say, things
don’t go according to plan, which is the first moment that
The Last Stand tips off what will become its kind of
regular over the top stock in trade. How does Cortez escape, when he’s manacled in the back of an armored truck and
surrounded by a convoy of heavily armed agents? Why, with a giant
magnet, of course, which yanks the truck
out of the convoy and deposits it on the top of a Las Vegas skyscraper. Cortez has all his ducks in a row, including
having hired scores of people to run through the streets in orange jumpsuits, so that the FBI doesn’t know who is
Cortez and who isn’t (since they haven’t yet figured out he isn’t even on the ground anymore). Some audience
members may be prone to rolling their eyes and giving up at this moment of undeniable absurdity, but the fact is the
sequence is very well staged if absolutely unbelievable.
It turns out the “jet” the state trooper misidentified earlier in the film was actually a souped up Corvette which is
delivered to Cortez as a getaway car. That sets up the middle section of the film where Bannister watches as Cortez,
who has taken a beautiful FBI agent hostage, manages to evade one trap after another as he races his car toward the
Mexico border. Can you guess what little Arizona town Cortez heads for to make his escape into his native country?
That then sets up the over the top finale of the film, when a bunch of Cortez’s henchmen, including the two
“truckers” Owens spotted early in the film (and who went on to murder a local townsman), start to wreak havoc around
Sommerton even as Cortez approaches. Owens and his ragtag assortment of real deputies and civilians whom Owens
has deputized on the spot, spring into action to take out the bad guys. There is some great action in this section of the
film, with shootouts that resemble scenes from westerns amped up to 21st century volume levels. The
most
over the top sequence of course is saved for last, when Cortez finally shows up and is chased by Owens in the Mayor’s
red Camaro through a cornfield in a scene that plays like some Chevy-ized version of an old
Dukes of Hazzard
episode. It’s wonderfully staged and incredibly effective, capped by a bare knuckles fight that
proves Ah-nuld may be aging (something that’s stated outright in the film) but can still pack a heck of a punch.
The film has a large and colorful supporting cast, including Johnny Knoxville as a weapons expert; Jaimie Alexander,
Zach Gilford and Luis Guzmán as deputies; Peter Stormare as Cortez’s chief goon who terrorizes Sommerton; Rodrigo
Santoro as a returned vet who just happens to be good with a gun; and Génesis Rodriguez as the agent whom Cortez
holds hostage. But aside from the Governator himself, the real star of this film may well be Kim ji-Woon, a South Korean
director with a varied
oeuvre (including part of the omnibus
Doomsday Book), who makes his American debut with
this feature. He’s obviously modeling this film after some of the similarly furiously paced John Woo action flicks, and the
good news is, he’s a rather skilled mimic.
The Last Stand Blu-ray Movie, Video Quality
The Last Stand is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1.
This digitally shot feature often looks spectacular on Blu-ray, with appealingly robust colors (which can admittedly verge into
lurid territory when some of the blood and guts elements start to be displayed). Fine object detail is excellent and this high
definition presentation also boasts superior contrast which helps some of the nighttime sequences to really bristle with well
above average clarity and shadow detail. Director Jim Jee-Won and cinematographer Ji Yong Kim prefer a hyperkinetic style
where the camera is often in motion, but there are no stability issues to report despite this tendency.
The Last Stand Blu-ray Movie, Audio Quality
Zowie. That may not be a technical term, but it may well be the best way to describe The Last Stand's
incredibly forceful lossless DTS-HD Master Audio 7.1, certainly one of the most immersive surround tracks I've heard so far
this year. From the first moments, when the whip pan sound of the Corvette zooming down an abandoned highway zings
through the side channels, it's clear this film is going to be one heck of a sonic ride. Over and over again well crafted foley
effects are expertly placed around the side and rear channels, and of course there is more than abundant LFE courtesy of
several major shootouts that occur. Despite the noisiness of much of the mix, dialogue is extremely well prioritized and
always easily audible. Fidelity is excellent and dynamic range is incredibly wide.
The Last Stand Blu-ray Movie, Special Features and Extras
- Not In My Town: Making The Last Stand (1080p; 28:11) is a fairly interesting EPK-fest with
interviews and behind the
scenes footage. Producer Lorenzo di Bonaventura offers several interesting observations.
- Cornfield Chaos: Scene Breakdown (1080p; 11:21) takes a look at the great climactic car chase between the
two Chevrolets that
caps the film.
- The Dinkum Firearm & Historic Weaponry Museum Tour (1080p; 11:21) talks about some of the actual historic
weapons that
weapons consultant Larry Zanoff helped to provide to the film.
- Actor-Cam Anarchy: with Johnny Knoxville and Jaimie Alexander (1080p; 10:32) is first person footage from
these two actors.
- Deleted Scenes (1080p; 8:15)
- Extended Scenes (1080p; 14:06)
The Last Stand Blu-ray Movie, Overall Score and Recommendation
There's absolutely nothing new under the blazing Arizona sun in The Last Stand, but I was actually a little shocked
at how breezily entertaining this film is. It's often quite gruesomely violent, but it has the requisite Schwarzenegger-esque
sense of humor (replete with lame one liners) and the action is impeccably well staged. You'll see virtually every plot point
coming from a mile (or more) off, but chances are you won't really care all that much because there's enough mayhem to
keep you properly distracted. This Blu-ray offers excellent video, reference quality audio and some decent supplements.
Recommended.