7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The crew of a naval destroyer is forced to confront the reality of a new existence when a pandemic kills off most of the earth's population.
Starring: Eric Dane, Rhona Mitra, Adam Baldwin, Charles Parnell, Travis Van WinkleDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby TrueHD 5.1
French: Dolby Digital 2.0
Spanish: Dolby Digital 5.1
English SDH, French, Spanish, Danish, Dutch, Finnish, Norwegian, Swedish
50GB Blu-ray Disc
Two-disc set (2 BDs)
UV digital copy
Slipcover in original pressing
Region free
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
The Last Ship is high-concept, low-payoff silliness made that much sillier by its world; one ravaged not by nuclear war, as was the case in William Brinkley's 1988 novel of the same name, but by a merciless pandemic that wipes out more than 80% of the global population. Co-creators Hank Steinberg and Steve Kane made the change in an effort to update the material, but with Russia and the United States circling a second Cold War, the series' super-flu feels decidedly outdated. (Particularly when everything from the Russian navy to Al Qaeda extremists, South American drug lords and rogue government agencies -- military threats ideal to the landscape of a nuclear holocaust -- fall in line as villains of the week.) There's a larger issue at play, though. The show's end-of-the-world melodrama covers very little ground that others haven't covered a dozen times over, struggling to gain momentum as it dredges up familiar tropes en masse... with one exception. Unlike other post-apocalyptic series, hope courses through each episode, with the crew of the USS Nathan James closing in on a viable cure rather than simply fighting to survive. It's not quite a saving grace, but it establishes a different tone that, if nothing else, helps separate The Last Ship from The Walking Dead and its bleak genre ilk.
The real saving grace is the series' cast. Eric Dane, Rhona Mitra and Firefly alum Adam Baldwin (long may he reign) deliver mouthful after mouthful of exposition, jargon and expositional jargon with the ease and passion of professionals committed to the cause, eager to upsell whatever nonsense they're tasked with saying. Under their command, The Last Ship finds a nice, entirely watchable rhythm. It's still a heap of overly serious Big Dumb Fun from start to finish, but it finishes stronger than it begins, with a solid stretch of end-of-the-season episodes that show some promise. Will Season Two -- currently airing on Sundays at 9pm EST on TNT -- make saving humanity worth all the trouble? If things continue to improve, perhaps. However, if they're not careful, Steinberg and Kane could just as easily cause viewers to throw up their hands and root for the Red Flu. It all depends on how probable, convoluted or silly the show becomes in its crucial sophomore season. Sink or swim, gentlemen. Sink or swim.
The Last Ship offers a vibrant 1080p/AVC-encoded video presentation that's faithful to series cinematographer Lukas Ettlin's intentions. Colors are bold and aggressive, with striking blues, reds and greens flooding the James' command and communication centers. It almost comes on too strong, but the only casualty are the shadows, which tend to crush a bit. Otherwise, all is as it's meant to be. Contrast is consistent (even when it's consistently overheated), primaries pop, black levels are rich and inky, and detail is crisp and revealing. Edges are refined, without any significant ringing or aliasing. Textures are well-resolved, and aren't impeded by noise, artifacting or banding. And delineation is as forgiving as it can be all things considered, though don't try to peer into the darkness. You won't find much detail there. All told, the series' visual aesthetic certainly makes an impression and Warner's encode doesn't disappoint.
Also featured is a commanding DTS-HD Master Audio 5.1 surround track, with nothing in the way of major issues or mishaps. Dialogue is clean, intelligible and carefully prioritized, as are the effects that bring the USS Nathan James to convincing, fully operational 360-degree life. The rear speaker activity is quite assertive, using ambient and acoustic touches to create immersive environments, ship interiors and raging oceans. Directionality delivers, pans are smooth, and the soundfield is enveloping, even when a scene boils down to two officers talking to one another. The LFE channel pulls its weight as well, throwing its weight behind a wide variety of gunfire (big and small), ship engines and weaponry, and numerous low-end elements that benefit from the added oomph. The result? A lossless mix that completes a terrific AV presentation. Fans of the show will be more than pleased.
Much of The Last Ship induced a shoulder shrug, but its cast kept it afloat, its last few episodes drew me in more than I expected, and the bulk of the season managed to serve as decently big, forgivably dumb, reasonably fun Big Dumb Fun. Warner's Blu-ray release is even better, thanks to a strong AV presentation and solid selection of special features, including four commentaries, a 50-minute Comic Con panel, and several featurettes. I'd still recommend watching an episode or two before settling on a purchase, but fans of the show are in for a treat.
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