6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
A man is tried for the murder of his neurotic wife by means of a sedative overdose.
Starring: Tom Conway, Elizabeth Sellars, Eunice Gayson, Freda Jackson, Hugh Latimer| Drama | 100% |
| Crime | 61% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.75:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 2.5 |
Terence Fisher's "The Last Man Standing" (1956) arrives on Blu-ray courtesy of Indicator/Powerhouse Films. The supplemental features on the release include new audio commentary by critics Barry Forshaw and Kim Newman; vintage newsreel; collection of vintage promotional materials; and more. In English, with optional English SDH subtitles for the main feature. Region-B "locked".

The love that wasn't meant to be.

Presented in an aspect ratio of 1.75:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Last Man to Hang arrives on Blu-ray courtesy of Indicator/Powerhouse Films.
The release is sourced from an older master. However, it is a good master that produces good visuals with pleasing organic qualities. Sone inconsistencies are easy to spot. For example, in a few places, density fluctuations create softness and even a bit of flatness. Also, grain exposure can be a bit uneven. Still, there is plenty to see, and all visuals maintain a very fine grayscale. I did not see any traces of problematic digital corrections. Image stability is good. From time to time, small blemishes can appear here and there, but there are no large and distracting surface imperfections. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
John Wooldridge's score creates some excitement. However, The Last Man to Hang is not a film that attempts to impress with great dynamic variety. The dialogue is clear and easy to follow, but in several areas, some unevenness can be noticed. As far as I can tell, it is inherited. A bit of extremely light hiss ocasionally sneaks in, but there are no distortions, pops, cracks, etc.


Apparently, The Last Man to Hang was supposed to be a messenger at a time when an important legal issue was debated in the United Kingdom. I cannot see how this is a good excuse for its ridiculous resolution, plus half a dozen other developments that are allergic to logic. It is a very strange film, inviting speculations that it may have been worked on by two different directors. Also, it is incredibly difficult to describe as a film noir. It is included in Indicator/Powerhouse Films' Columbia Noir #7: Made in Britain six-disc box set.
(Still not reliable for this title)

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