6.7 | / 10 |
Users | 4.3 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The night she arrives at the remote Collingwood lakehouse, Mari and her friend are kidnapped by a prison escapee and his crew. Terrified and left for dead, Mari's only hope is to make it back to parents John and Emma. Unfortunately, her attackers unknowingly seek shelter at the one place she could be safe. And when her family learns the horrifying story, they will make three strangers curse the day they came to the Last House on the Left.
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Aaron PaulHorror | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.0 |
Wes Craven's original version of The Last House on the Left featured one of the more memorable advertising campaigns in the annals of horror films, an urgent reminder that "to avoid fainting, keep repeating, 'it's only a movie, it's only a movie, it's only a movie. . .'". Some may approach this 2009 version, one sparked by Craven himself if ultimately it ended up being directed by Dennis Iliadis, by jokingly repeating "it's only a remake, it's only a remake" ad infinitum. That "remake" descriptor may be a two edged sword in a way, though. As remakes often go, this one probably has more to offer than many of its general ilk, but at the same time I'm sure there will be fans of the original film who feel that Craven's decision to up the budget and provide at least a relatively happier ending (for some, anyway) may not have necessarily aided the visceral impact of the story (which is still quite evident, just to be clear), as part of the original's force was its very lo-fi ambience. As Craven mentions in a supplement, the plot mechanics of The Last House on the Left in this iteration at least rely on a coincidence so ridiculous that it may subvert its own impact, but given that one perilously ludicrous device, this version still offers a rather unsettling feral intensity at times.
Note: Screenshots are sourced from Arrow's 1080 presentation of the Theatrical Cut. This release does not offer the Theatrical
Cut in 1080.
The Last House on the Left is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 1.85:1.
Arrow's insert
booklet is the same for both its 1080 and 4K UHD releases of the film, and contains the following information on the presentation:
The Last House on the Left is presented in its original 1.85:1 aspect ratio with stereo and DTS-HD Master Audio 5.1 audio.Ken really liked the look of the Universal Blu-ray, while stating up front that those who don't like really heavy grain had best stay far, far away from this presentation. If anything, and judging solely by some screenshots shared between the two reviews, it appears that Arrow's version is slightly darker and even grainier looking than Universal's own release, and the grittiness of the grain is frankly only increased in this 4K UHD version, which may provoke varying reactions from viewers. I've often been securely on record as stating that I'm not always completely fond of how heavy grain looks in the 4K UHD format, and there were at least some passing moments in this presentation where that was definitely my reaction, though kind of interestingly several of them were for more brightly lit moments, where the speckled black quality of the grain tends to mask things like bright blue skies. As with the 1080 presentation, and arguably even more so in 4K UHD, the grain can lead to some definite texturing and fuzziness in some darker moments. I'm probably marginally less consistently pleased with the tightness of grain resolution in this version than I was with Arrow's 1080 release. On the plus side, HDR and/or Dolby Vision have noticeably improved shadow definition throughout the many dark parts of the film, and while the palette has obviously been toyed with, both the yellow and blue gradings offer some really interesting moments with some added highlights in this version, and with fine detail levels remaining largely intact, at least when lighting conditions allow. The increased resolution of this format also results in some subtle but still noticeable improvement in fine detail levels. There's no significant damage of any kind to report.
The UHD presents the film graded in HDR10 and Dolby Vision, while the Blu-ray presents the film in standard dynamic range.
The feature masters were supplied by NBC Universal. The 4K HDR grading was completed by Visual Data Media Services.
All audio mixes were remastered by NBC Universal.
The Last House on the Left features a DTS-HD Master Audio 5.1 track that sounds (sorry, no pun intended) like it mimics the track Ken reviewed on the Universal release. Arrow's version also offers an LPCM 2.0 option. The surround track delivers consistent immersion that includes a veritable glut of ambient environmental sounds since so much of the film takes place outdoors, but even the claustrophobic confines of the lake cabin provide some really excellent (and frightening) placement of sound effects. An evocative score by Stephen Coleman also resides comfortably in the side and rear channels. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
Disc One (4K UHD)
- A River of Blood (HD; 31:27) is an interview with Sara Paxton.
- The Notorious Krug (HD; 27:01) is an interview with Garret Dillahunt.
- Suspending Disbelief (HD; 18:26) is an interview with screenwriter Carl Ellsworth.
- Reviving the Legend (HD; 33:06) is an interview with producer Jonathan Craven.
As Ken mentioned in his review of the Universal release, this may be a "glass half full, glass half empty" situation for some where both pluses and minuses can be argued when comparing this to Craven's original. This 4K UHD release itself has pluses and minuses, and I'd say reactions to it are going to depend on individual tolerances for at times very heavy grain. Otherwise, technical merits are largely secure and as usual Arrow provides some excellent supplements. Recommended.
Unrated
2009
2009
2009
2009
Limited Edition
2009
2014
1982
2019
2018
2013
2017
Unrated
2005
Uncut
2013
Død snø 2
2014
2016
Director's Cut
2007
Legions of the Dead
2011
Director's Cut
2005
Unrated
2010
2018
2005
2013
2019
2012