7.7 | / 10 |
Users | 5.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two Navy men are ordered to bring a young offender to prison but decide to show him one last good time along the way.
Starring: Jack Nicholson, Otis Young, Randy Quaid, Clifton James, Carol KaneDrama | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
Music: DTS-HD Master Audio 2.0
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 4.0 |
In one of those weird synchronicities that often accrue in the annals of Hollywood, two novels by Daryl Ponicsan, both of which had at least some surface similarities, made it to the screen within just a few days of each other in late 1973 (probably as part of a marketing strategy to get some Academy Award nominations, which both ended up doing). Cinderella Liberty was a bittersweet romantic fable following a lonely sailor (James Caan) who falls for a “working woman” (Oscar nominated Marsha Mason) and who becomes a surrogate father for her mixed race son (Kirk Calloway). Much more scabrous in tone and content was The Last Detail, another entry featuring lonely sailors, but one which had been in a certain kind of development hell for quite some time before Jack Nicholson’s involvement managed to win over cautious studio executive types who worried about Robert Towne’s expletive laced screenplay and certain discomfiting aspects of the general storyline. Nicholson is on record as having stated that he considers his performance in The Last Detail one of his best, if not the best, and the visceral intensity of his turn as the appropriately named (and/or nicknamed) Billy "Badass" Buddusky earned the actor a well deserved Academy Award nomination. (One of the other odd synchronicities about these two films is that each received three Academy Award nominations, with one nomination being for performance in a leading role, albeit for different genders.)
The Last Detail is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. Culled from the Sony-Columbia catalog, The Last Detail was given a 4K restoration a couple of years ago, from which I'm assuming this transfer was sourced. Some (probably younger) folks not used to Ashby's on the fly directing style and the unfussy (and often naturally lit) cinematography of Michael Chapman may quibble about the roughhewn and rather grainy look of this feature, one that's so grainy at times it almost resembles Super 16. All of these qualities tend to combine to give a highly textured but probably slightly less detailed presentation than some might expect, though this is a wonderful recreation of the kind of down and dirty look that Ashby was obviously going for. The film's prevalence of dimly lit interior scenes, and the equal ubiquity of dark costuming (like the peacoats the guys wear) tend to keep shadow definition to a minimum at times, though this is again perfectly in line with the source. The one slight qualm I have with this transfer is with compression. At times the grain assumes a slightly multicolored look which almost resembles chroma anomalies. This tends to crop up in the darkest moments, when the slight flecks of color can be more easily spotted against dark backgrounds. It was much more pronounced when I watched this on my new 4K television uprezzed through my UHD Blu-ray player, but it was also noticeable, if less so, watching in "standard" 1080p on a regular Blu-ray player.
The Last Detail's lossless DTS-HD Master Audio Mono track gets the job done without much fuss or bother, offering good reproductions of some of the urban environments the guys travel to, while also offering excellent support in the many intimate dialogue scenes that play out between small groups of people. The always superb Johnny Mandel provides a nice score here which utilizes some moldy oldies for source cues. Fidelity is fine and there are no issues of any kind to warrant (officer?) concern.
It's rare to find a film that displays as much heart as The Last Detail does while also pummeling the viewer with some of the most consistently blue language imaginable. Performances are top notch, including a wonderfully forceful Nicholson and a surprisingly touching Quaid. This is certainly not a film for those who blanch at expletives, but for those who have had any experience with the military, there's a very authentic feeling to this film which is testament to Ponicsan's original source novel as well as to Robert Towne's smart adapted screenplay. Technical merits are strong and despite a relative lack of supplements The Last Detail comes Highly recommended.
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