7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An ex-secret service agent and a former pro-football hero uncover a web of intrigue and corruption in professional sports.
Starring: Bruce Willis, Damon Wayans, Chelsea Field, Noble Willingham, Taylor Negrón| Crime | Uncertain |
| Thriller | Uncertain |
| Action | Uncertain |
| Dark humor | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: LPCM 2.0
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Comedy Central's venerable The Daily Show, typically a pretty apt arbiter of whatever current cultural zeitgeist we all may be slogging through, has had several piquant observations about online sports betting, including the wonderful supposed slogan for those trying to come up with enough scratch to actually place a bet, "Do you know you have unlimited plasma?" If these recurrent bits about internet based betting apps like Draft Kings seem perfectly "21st century" in their own way, The Last Boy Scout may be a salient reminder that betting on sports is probably as old as, well, sports. The Last Boy Scout kind of fell flat, or at least (to keep the metaphor in the realm of football, where the film starts) somewhat "Deflategate" adjacent, but it has significant star power not just in marquee attraction Bruce Willis, then arguably cracking into superstar status after Die Hard, but also with regard to producer Joel Silver, director Tony Scott and screenwriter Shane Black, the latter of whom was still riding high off the then recent overwhelming success of his Lethal Weapon screenplay. With regard to Die Hard, however, there's some interesting information (probably already known to trivial pursuitists) regarding how that film got its name and that name's connection to this enterprise.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from Arrow's standalone 1080 release as I think
it actually provides a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by
necessity downscaled to 1080 and in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left
blank.
The Last Boy Scout is presented in 4K UHD courtesy of Arrow Video when an HEVC / H.265 encoded 2160p transfer in 2.40:1. Arrow's
insert
booklet contains the following information about the presentation:
The Last Boy Scout has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 2.39:1 with restored original stereo, legacy 5.1 and a new Dolby Atmos mix. The film is presented in 4K resolution and Dolby Vision.One of the slightly unusual things about this release is that The Last Boy Scout has never had a prior standalone release in 1080 in Region A, at least according to our usually reliable database (our Last Man Standing / The Last Boy Scout Blu-ray review of a double feature does not include screenshots). That means there's no "baseline" of comparison here with regard to a previous version, but one way or the other, this is an often quite sumptuous looking presentation in 4K and especially HDR, where the film's almost noir like ambience really gets a beautifully burnished look. A lot of the cool blue graded material in particular, as in the opening football vignette, offers really appealing nuances courtesy of the HDR / Dolby Vision grades that improve upon already basically excellent tonal values in Arrow's SDR 1080 presentation. Later dabblings in blue in some shadowy moments, and even a slight skew toward teals in some outdoor material (as in the moments before a memorable car explosion) really resonate beautifully. A lot of the film is intentionally dimly lit, especially with regard to several vignettes involving Wayans for one reason or the other, but detail levels remain commendably intact for the most part. The HDR / Dolby Vision grades do offer at least a bit more shadow detail than in Arrow's 1080 SDR presentation. Grain is mostly very tightly resolved, and perhaps surprisingly some of the most noticeable spikes do not come in the dim or blue graded material, but instead in some relatively more brightly lit moments against white or at least light backgrounds.
The original 35mm camera negative was scanned in 4K 16 bit at Warner Bros. Motion Picture Imaging. The film was restored and color graded in 4K at Resillion.
The original stereo mix was restored by Bad Princess Productions. The Dolby Atmos mix was produced by Deluxe.
All material sourced for this new master were made available by Warner Bros. This new presentation of The Last Boy Scout was approved by director of photography Ward Russell.

The Last Boy Scout features Dolby Atmos, DTS-HD Master Audio 5.1 and LPCM 2.0 options (despite the verbiage reprinted above from the insert booklet, a booklet I'm assuming also attends Arrow's 1080 version, the standalone 1080 disc doesn't have a Dolby Atmos option, or at least the check disc sent to me didn't). With expectations set accordingly for a "redesigned" Atmos track, there is some appealing immersion, and Atmos verticality is definitely noticeable in a couple of more explosive moments (literally in at least one case). Otherwise, though, both surround options tend to still offer a lot of the dialogue front and center, with the side and rear channels utilized to establish ambient environmental background effects. The great Bill Medley of the Righteous Brothers sings a great title tune (those who like Medley and who haven't heard it should check out his David Clayton- Thomas-esque contributions to the fantastic Michel Colombier quasi-oratorio Wings). Michael Kamen's score also receives a spacious accounting. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

- Theatrical Trailer 1 (HD; 2:20)
- Theatrical Trailer 2 (HD; 2:06)
- First Draft (HD)
- Second Draft (HD)
- Black & White Promo Stills (HD)
- Colour Promo Stills (HD)

The back cover of this release lists off star, director, writer and producer with relevant credits, in a perhaps subliminal "warning shot" that there was a lot of what might be jokingly referred to as toxic masculinity creating some skirmishes during this production. That may contribute at least a bit to a slightly ill at ease feeling suffusing the film, but there is still considerable on screen rapport between Willis and Wayans (whatever the purported backstage situation may have been), and the film certainly has a lot of stuff going boom. Technical merits are solid and the supplements very appealing. With caveats for the film noted, Recommended.

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Combo Pack
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Special Edition
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Truth & Justice Edition
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MVD Rewind Collection
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Theatrical & Recut, Extended, Unrated
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