6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In the post-apocalyptic future, only a few humans are left. No one is able to speak and people communicate non-verbally. A determined loner befriends a reclusive older man and these two battle against vicious thugs for food, shelter and life
Starring: Pierre Jolivet, Jean Bouise, Jean Reno, Fritz Wepper| Foreign | Uncertain |
| Sci-Fi | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.0
French: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Just in time for holiday shopping and potentially ideal for those French alt-genre film-fans in your family or friend group comes the Luc Besson 9-Film Collection from Sony, which offers six of the controversial filmmaker's movies on 4K UltraHD with Dolby Atmos tracks and three additional flicks on standard Blu-ray with DTS-HD Master Audio. Besson has a messy, I'll just call it "icky" personal past (a word that feels generous), but for those who can separate art from an artist's alleged and/or admitted misdeeds, this box set makes for a solid albeit flawed gift. The films included in the collection are black-and-white post-apocalyptic drama Le Dernier Combat (The Last Battle, 1983), stylized crime dramedy Subway (1985), theatrical and director's cuts of off-kilter romance The Big Blue (1998), proto-Wick assassin thriller Le Femme Nikita (1990), underwater documentary Atlantis (1991), theatrical and extended versions of the beloved, fan-favorite Leon: The Professional (1994), zany '90s sci-fi epic The Fifth Element (1997), domestic and international cuts of underrated historical biopic The Messenger: The Story of Joan of Arc (1999), and visually striking supernatural noir Angela-A (2005).


Possibly created utilizing the same 2.35:1 master as the 2009 UK Blu-ray from Optimum, perhaps with some tweaking or, given I was more impressed with the end result than my colleague was with the previous international release, perhaps with a newer master altogether. Either way, I find it difficult to hope we'll ever get a better video transfer of The Last Battle than is represented by this solid 1080p/AVC-encoded presentation. The black and white photography is quite striking, particularly considering the film's age, the production's low budget and Besson and his team's relative inexperience at the time. Shadows are deep and absorbing most of the time, though the hot sun and at-times hotter contrast leveling certainly flood the image with searing whites when the cameras move outdoors. Thankfully, interiors don't suffer the indignity of direct sunlight and gray midtones are lovely and gradients are smooth. You'll likely notice some crushing here and there, and a bit of grain inconsistencies. Both appear to my eye to be products of the original cinematography but can prove distracting when so much of the film fares beautifully. Technical issues are kept to a bare minimum and don't appear to be the product of a lesser encode, and more significant issues like banding, blocking or ringing are MIA. All told, Sony has given us a more-than-worthy transfer with which to experience or savor The Last Battle.

The film's lossless DTS-HD Master Audio 5.0 surround track is less satisfying, unfortunately, although it's a more than competent upgrade and presentation of the original sound design. What little central dialogue there is -- which amounts to all of a word or two -- is clean and clear, prioritization of the film's environmental effects and ambient noises are fairly well refined, and rear elements, while subtle, are effective on the whole and create a decidedly decent soundfield. (Again, given the era.) Lower beats are missing the oomph proper LFE support might provide, meaning the film's more intense drama lacks some sonic heft, the score lacks a fullness and presence, and the action lacks the sort of chest-thumping goodness you'll enjoy thanks to the audio tracks bolstering Besson's later efforts. Again, there's nothing exactly wrong with the mix. It's good. It just doesn't offer the greatness of a respectfully designed 5.1 or Atmos offering.

The Blu-ray edition of Le dernier combat doesn't include any special features.

It's a shame The Last Battle doesn't earn any supplemental love. Other entries in the Besson 9-Film Collection have been granted all sorts of newly produced interviews and additional content. Ah well, as a starter to a beefy box set, The Last Battle at least looks and sounds the part. The movie itself didn't hit me center mass with the precision it did with my colleague, but it's still an inventive foray into a desolate sci-fi dystopia and one fans of Besson will love to excavate for all the signs of his future talent.
(Still not reliable for this title)

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