8.1 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
Starring: Robert De Niro, Jerry Lewis, Sandra Bernhard, Chuck Low, Shelley HackDrama | 100% |
Dark humor | 39% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
French: Dolby Digital Mono
Spanish: Dolby Digital Mono
Italian: DTS-HD Master Audio Mono
English SDH, Italian, Japanese, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
The 1980s saw Martin Scorsese try—twice, in fact—to break away from his perceived role as a helmsman interested only in overtly dramatic fare. It’s notable that neither of Scorsese’s eighties comedies, King of Comedy and After Hours, has attained the flat out iconic status of some of the director’s other pieces like Raging Bull or Taxi Driver, though both have their adherents, in some cases almost rabidly so. Scorsese’s reputation may still rest largely on his more dramatic films, but as he’s repeatedly proven as recently as with Hugo 3D and The Wolf of Wall Street, he has a flair—albeit an often dark flair—for humor and whimsy. That inherent darkness may be what doomed The King of Comedy with both critics and audiences, as well as its now more obviously prescient examination of a fame obsessed society which in 1983 probably seemed too fanciful to believe. The humor in The King of Comedy isn’t merely dry, it’s positively Saharan, and that, coupled with two focal characters who aren’t exactly warm and fuzzy, makes the film a hard sell. But for those willing to tolerate an intentional level of increasing discomfort and awkwardness, The King of Comedy is one of Scorsese’s most interesting creations, and one that has certainly aged better than might be expected, either in spite of or perhaps even because of changes in the media world. When The King of Comedy debuted, Johnny Carson was still the undisputed master of late night television, and while a host of contenders had attempted to knock him off his perch, people like Joey Bishop and Merv Griffin, no one had been able to even come close. While David Letterman had begun to burnish his (actually early morning) chops on NBC’s Late Night with David Letterman in a companion show to Carson’s iconic The Tonight Show, it would be another ten years before there was any real competition in the late night arena, ironically when The Tonight Show passed to Jay Leno and Letterman himself moved to CBS. Having one king of the late night hill is an integral part of The King of Comedy’s setup, for Jerry Lewis portrays Jerry Langford, a stand-in for Carson whose witching hour variety show is a Tonight Show sized monolith. Langford is idolized by hordes of fans, including a probably well meaning but seriously deluded would be comic named Rupert Pupkin (Robert De Niro). Pupkin’s increasingly desperate attempts to attract Langford’s interest in his supposedly burgeoning comedy career provide the impetus for much of the film’s plot.
The King of Comedy is presented on Blu-ray courtesy of 20th Century Fox Home Entertainment with an AVC encoded 1080p transfer in 1.85:1. The elements used for this presentation are in great shape, though it's important to realize that Scorsese intentionally utilized lo-fi videotape for the television sequences (see screenshots 5 and 16), which naturally result in a much softer and less detailed look (which in some cases include such anomalies as slight ghosting). Colors look natural, but are not overly suffused. Scorsese and cinematographer Fred Schuler capture some great Manhattan locations, and the outdoor sequences offer excellent detail and at times good depth of field. The general appearance here is somewhat on the soft side, however, especially in many dimly lit interior scenes. Close-ups reveal very good to excellent levels of fine detail, and contrast is nicely dialed in throughout the presentation.
The King of Comedy features a perfectly acceptable lossless DTS-HD Master Audio Mono mix that capably reproduces the film's fairly straightforward sound design. It is notable to hear the difference between that swingin' Jerry Langford Show theme music on the menu screen, where it's presented in LPCM 5.1, and the actual film, where it sounds considerably narrower due to its mono iteration, but for the film's dialogue and occasional cityscape environmental effects, the mono track suffices perfectly well. There's no damage of any kind to cause concern.
I actually have a soft spot in my heart for both of Scorsese's eighties comedies, and in fact may even like After Hours a tad more than The King of Comedy, due to the fact that I actually worked as a word processor for a long time (if you've seen After Hours, you'll understand that reference). But The King of Comedy has its own very smart observations to make and it remains a decidedly pointed experience, perhaps more so today than it was on its initial release. De Niro and Lewis are wonderful, and while the plot tiptoes around some fairly disturbing subject matter, Scorsese never devolves into snark or derision. This Blu-ray release features excellent video, audio and supplements and comes Highly recommended.
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