6.5 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.
Starring: Uma Thurman, Samuel L. Jackson, Joe Manganiello, Debi Mazar, Maya HawkeMystery | 100% |
Comedy | Insignificant |
Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 1.0 | |
Overall | 3.5 |
The worlds of art and crime connect in “The Kill Room,” which is largely being promoted as a reunion for stars Uma Thurman and Samuel L. Jackson, who last acted together in 1994’s “Pulp Fiction.” A lot of time has passed since the release of the Quentin Tarantino film, but not everything has changed, as “The Kill Room” has Thurman portraying a rattled woman turning to drugs and dangerous men to keep herself distracted, while Jackson once again inhabits the part of an easily agitated, profane man caught up in a criminal situation that slips out of control. Slightly fatigued Tarantino- isms are certainly present in the screenplay by Jonathan Jacobson, intended or not, but the story launches with compelling oddity, highlighting the strange ways of art appreciation and manipulation, which is far more interesting than underworld entanglements that come to claim the effort’s second half.
Screencaps are taken from the Blu-ray.
"The Kill Room" comes to UHD with a Dolby Vision presentation. Detail is excellent, examining fine wrinkles on facial surfaces and rough textures on
displays of art. Fine hairs are also present. Clothing is fibrous, investigating business attire and street outfits. Gallery interiors are dimensional,
exploring various displays and rooms. Exteriors secure deep distances as the action visits city streets. Colors embrace the varied palette of
the art displays, which bring vivid hues to the viewing experience. Primaries are just as powerful, favoring blood reds and dark blues. Colder concrete
tours are noted, along with warmer interiors, finding natural light (real or otherwise) maintaining a yellow intensity. Skin tones are natural. Blacks are
deep, getting close to solidification at times. Highlights are bright, but not uncomfortably so. Compression isn't grand, with mild banding present at
times.
The 5.1 DTS-HD MA mix carries sharp dialogue exchanges, preserving performance choices, especially from Thurman, who aims to wrap herself around every line. Scoring supports with distinct instrumentation, and soundtrack selections add fuller pop beats to the listening experience, helping with low- end activity in a picture that's not too active with heavier events. Surrounds push out music and do very well with atmospherics, providing a circular sense of gallery and street activity.
Blu-ray:
"The Kill Room" follows Reggie's development as an artist, bringing his work into his art, which complicates Patrice's return to power as a gallery owner. Interest comes from the press and determined buyers, and the story finds its footing with this itchiness, putting Patrice in a dangerous position between reclaiming all that's been lost and testing exposure to unwanted attention from dark figures. Jacobson doesn't stay with a straightforward study of endurance for the main character, aiming to add to her woes with more powerful underworld figures and their own plans for art and cash. "The Kill Room" loses its way in the final act, hunting for a grand summation of scheming when it does just fine with a central crisis of dented redemption, blended with an examination of artistic expression from an unlikely source of grim beauty. Some thespian fizziness from Thurman and Jackson doesn't hurt the cause either.
2019
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