7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The disruptions caused in the life of 13 year old Kenny born with underdeveloped legs, removed to replace other missing bones at 6 months old when a French film company comes to do a film about his life and family.
Starring: Caitlin Clarke, Liane Curtis, Zach GrenierVideo codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
French: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 3.5 |
1987’s “The Kid Brother” is a Japanese production from a French-Canadian director about an American boy. It’s already an unusual picture, but the movie becomes even more interesting with its star, bringing young Kenny Easterday to the screen, showcasing his atypical life as a human without a lower half. Born with sacral agenesis, Kenny’s legs and hips were amputated as a baby, forcing him to move around on his hands, which provides the central image and story for “The Kid Brother,” which is a film about the making of a documentary, but also a drama about the wear and tear of family relationships. There’s a lot to unpack in Claude Gagnon’s endeavor, which is mostly interested in Kenny’s experience, working with the amateur actor to detail a 13-year-old’s processing of attention and independence.
The AVC encoded image (1.85:1 aspect ratio) presentation is sourced from a 4K scan of the original 35mm camera negative. The results come across a tad darker than expected, but still retain a detailed look at frame elements, including dimensional town tours and interiors. Facial surfaces are textured, and costuming is fibrous. Color offers a noticeable push of green, making some imagery look at little unnatural at times. Clothing provides some primary power. Skin tones are natural. Delineation is satisfactory. Grain is fine and film-like. Source is in excellent condition.
The 2.0 DTS-HD MA mix leads with distinct music selections, offering a clear synth sound. Dialogue exchanges are clean, managing different performance styles with ideal intelligibility. Atmospherics are appreciable.
The film-within-a-film approach connects in "The Kid Brother," doing better than more melodramatic areas of conflict handed to actors perhaps unprepared to handle such emotional expression. Family dynamics go about as far as they can in the feature, which is far more fascinating as a study of Kenny's spirit and mobility, with very little getting in his way, and he knows it, bent on demonstrating his maturity, especially in the final act. Gagnon doesn't get too severe with turns of plot, hoping to offer a gentle viewing experience about people struggling to express dark thoughts to loved ones. "The Kid Brother" emerges with sensitivity and some stiffness, and it's held together by Easterday, who's comfortable in front of a camera, sharing his extraordinary world with viewers.
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