| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
See individual titles for their synopses.
| Documentary | 100% |
| History | 50% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM Mono
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
You’ve probably heard of DirecTV, but have you heard of Direct Cinema? This subgenre of documentary filmmaking evidently owes its genesis, or perhaps at least its moniker, to Canadians, but among its best remembered proponents were American Robert Drew and his so-called Associates, a group which also included future documentarian luminaries D.A. Pennebaker, Richard Leacock and Albert Maysles. Drew and his cohorts revolutionized the American political documentary with a series of works that “starred” John F. Kennedy, first as a candidate in Primary, and then following him in his Presidency as he addressed various crises, including forced integration of schools. While perhaps not as pressingly “relevant” today as they were when they were originally released, the four films assembled in this set are remarkable achievements, and give a visceral peek into the freewheeling world of American politics in general and the Kennedy years in particular.


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.

Primary has a couple of supplementary features included in its submenu, and I refer you to the Primary Blu-ray review for a listing of those. Otherwise, the disc offers the following more generalist extras (albeit two with a clear emphasis on Crisis) under a Supplements Menu:

I've confessed my kind of geeky love for Time-Life products in various other reviews, and it kind of delights me no end that Time-Life was behind these pieces, as is documented in the essay by Thom Powers included in the insert booklet contained in this release. These four documentaries are all compelling and even moving in their own ways. Technical merits are occasionally a little wobbly, given the 16 mm source material and some at times prevalent damage, but as historical pieces, they're all incomparable. Highly recommended.