6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An ambitious Kansai yakuza don moves in on Tokyo using financial and political tactics, sparking conflict with a local criminal association.
Starring: Shin Saburi, Toshirô Mifune, Hiroki Matsukata, Bunta Sugawara, Kyôko Kishida| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: LPCM Mono (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of The Japanese Godfather Trilogy set from Radiance Films.
The Godfather Trilogy helped to more or less
reinvent and reinvigorate the so-called "gangster movie" for American audiences, but the Coppola productions also had an undeniable global impact,
as evidenced by The Japanese Godfather Trilogy itself. Somewhat humorously self promoted in pre-release trailers as "masterpieces", this
trifecta of films from Toei fictionalized real life Japanese crime syndicate shenanigans, albeit here with at least some vignettes obviously inspired by
the American films. It's kind of interesting to approach these films contextually within the very long and rather distinguished history of "crime films"
in Japan, and all three of these Godfather outings can be compared in various ways to both ninkyo eiga and jitsuroku
offerings.


Japanese Godfather II: Ambition is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.39:1. Radiance's insert booklet contains the following minimal information on the transfer:
The Japanese Godfather trilogy was transferred in high definition by Toei Company, Ltd. and supplied to Radiance Films as high definition digital files.This second Japanese Godfather film shares a few of the color timing issues I had with the first film, but it is in better shape overall, and in fact I'd probably argue that the color timing is more pleasing here overall than in the first film, though maybe not quite as pleasing as in the third film. This can be pretty brown and dark looking a lot of the time, to the point that even in some decently lit scenes where there are still shadows in parts of the frame, not much detail really peeks through those darker sections. As with the first film, grain is often very heavy and tends to mask fine detail in wider framings. Still, the palette is relatively healthy looking and while minimal age related wear and tear can be spotted, there are no oddities like the ones noted in the review of the first film. My score is 3.75.

Japanese Godfather II: Ambition features an LPCM Mono track in the original Japanese. This transfer doesn't have the "header" before the Toei masthead like the first film, and so any evident hiss and/or other damage is not as immediately discernable as with that film, though that said, while there is some background hiss (and even a slight hum at times), it's not as prevalent or noticeable as in the first film. Music also makes it through the gauntlet a bit better, with a less distorted and more burnished sound. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles (which at times are quite large and take over substantial lower parts of the frame) are available.


Japanese Godfather II: Ambition may frankly show early signs of some of the attrition and narrative slowdown that afflict the third film, but it's still surprisingly visceral. Technical merits are generally solid, and the main supplementary interview very enjoyable. Recommended.