6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A yakuza leader must balance his violent tactics necessary for the rough streets of 1960s Tokyo with the domestic needs of his daughters.
Starring: Shin Saburi, Koji Tsuruta, Hiroki Matsukata, Kô Nishimura, Etsushi Takahashi| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: LPCM Mono (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 1.5 | |
| Overall | 4.0 |
Note: This film is available on Blu-ray as part of The Japanese Godfather Trilogy set from Radiance Films.
The Godfather Trilogy helped to more or less
reinvent and reinvigorate the so-called "gangster movie" for American audiences, but the Coppola productions also had an undeniable global impact,
as evidenced by The Japanese Godfather Trilogy itself. Somewhat humorously self promoted in pre-release trailers as "masterpieces", this
trifecta of films from Toei fictionalized real life Japanese crime syndicate shenanigans, albeit here with at least some vignettes obviously inspired by
the American films. It's kind of interesting to approach these films contextually within the very long and rather distinguished history of "crime films"
in Japan, and all three of these Godfather outings can be compared in various ways to both ninkyo eiga and jitsuroku
offerings.


Japanese Godfather is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.39:1. Radiance's insert booklet contains the following minimal information on the transfer:
The Japanese Godfather trilogy was transferred in high definition by Toei Company, Ltd. and supplied to Radiance Films as high definition digital files.Both this film and the second film offer somewhat less pleasing color temperature than the third film, and this one in particular can often show a kind of brown - green cast that can give the palette an unnatural appearance, especially with regard to things like flesh tones. There's also a very heavy grain field most of the time that can mask fine detail levels in wider framings. Minor damage is recurrent, but there are a couple of really odd anomalies, including what looks like a white blob on a lapel circa 20:09 that is not in other framings with the character in that scene. In closer framings fine detail on some of the natty textures on suits and the like can be quite appealing.

Japanese Godfather features an LPCM Mono track in the original Japanese. There's significant hiss along with some crackle and pop evident from the get go before the bombastic credits music begins, and occasionally thereafter in relatively quieter moments those issues can be audible again. There's some very minor roughness in underscore in some of the louder cues. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


This first Japanese Godfather film may benefit from its more overt mimicking of the Coppola films, and it's often viscerally exciting and pretty spectacularly violent. Technical merits are generally solid if improvable, and the main supplement is very enjoyable. Recommended.