7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft.
Starring: Mario Adorf, Henry Silva, Woody Strode, Adolfo Celi, Luciana Paluzzi| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.89:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
Italian: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Fernando Di Leo's "The Italian Connection" (1972) arrives on Blu-ray courtesy of Raro Video. The supplemental features on the release include new audio commentary by critic Samm Deighan; archival documentary; vintage trailers; and more. In English and Italian, with optional English subtitles. Region-Free.

The pimp

Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Italian Connection arrives on Blu-ray courtesy of Raro Video.
Please note that the screencaptures included with this release appear in the following order:
Screencaptures #1-24 are from the 4K restoration of The Italian Connection.
Screencaptures #27-34 are from the previous presentation of The Italian Connection.
The big four Fernando Di Leo crime thrillers from Raro Video's Fernando Di Leo: The Italian Crime Collection Vol. 1 box set were all restored in 4K in Italy. Unfortunately, all four were regarded, too. The only film that still looks acceptable is Caliber 9, but Arrow Video's previous 2K restoration of it introduced with this release is vastly superior. Why? It does not have the same yellow(ish) tint that is present on all four 4K restorations and all anomalies associated with it.
On this release, The Italian Connection again has various compromised primaries and a fluctuating, often underwhelming dynamic range. As a result, many facial complexions are off, darker footage flattened, and outdoor and indoor color temperatures destabilized. I would like to present a few specific examples that should give you an idea how drastic and damaging some of these changes are. Early in the film, where the American professional killers arrive in the nightclub and engage the working girl with the blue hair, on the 4K restoration, the blue hair and dress acquire a variation of very odd and flat turquoise. See here and here. During outdoor footage, the tinting alters primaries and temperature at the same time. For example, the blue jeans and warm sunlight here are eliminated here. While the older master that was used to source the previous release of The Italian Connection should not be used as a reference for color accuracy, it is timed dramatically better, giving the film a much more convincing period appearance. Obviously, all of this is incredibly disappointing because it is very, very easy to tell that the raw 4K files are, yet again, excellent. Also, the previous release that is mendioned here is sourced from some sort of hybrid master that uses upscaled content. In other words, had it been timed properly, the 4K restoration easily could have produced the definitive presentation of the film. Sadly, at the moment the film frequently exhibits visuals with an unconvincing, even strange dynamic range and flatness that tends to emerge when digital filtering is applied. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).

There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 2.0 and Italian DTS-HD Master Audio 2.0. Optional English subtitles are provided for the Italian track.
Both tracks feature original overdubbing. The English track should be considered the original track because the big stars uttered their lines in English, but it is a strange track that does a lot of damage to the film's integrity. I have always had a copy of this film in my library and have viewed it with both tracks, so if you pick up this release, I encourage you to experiment with both. The Italian track makes it easier to see the film as a serious crime thriller.
The quality of these tracks varies. I pulled out my previous Blu-ray release of The Italian Connection and on it the English track has slightly better clarity. Here, the English track is cleaner, but the high frequencies are managed/clipped somehow.


It is too bad that the remaining big Fernando Di Leo films did not end up with Arrow Video so that they could be given excellent 2K makeovers, like the one that was prepared for Caliber 9 a decade ago. The new 4K makeovers that were recently prepared for these films in Italy are predictably underwhelming.
(Still not reliable for this title)

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