| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
| Foreign | 100% |
| Drama | 56% |
| Crime | 12% |
| Film-Noir | 11% |
| Psychological thriller | 4% |
| Romance | 2% |
| Mystery | 1% |
| Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Region B (A, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
Note: Radiance is releasing a double feature of two Claude Miller films, The Inquisitor and Deadly Circuit. They are
offering the first film in either 4K UHD or 1080 (both resolutions are included with this release, but there's also a standalone 1080 The Inquisitor + Deadly Circuit release
available). Deadly Circuit is presented in 1080 on both releases.
A lot of thrillers, especially murder mysteries, can have key, even climactic, scenes take place in a police interrogation room. In fact, it's almost
de rigeur in some UK police procedural television series in particular to have long, involved scenes involving police interviews, and in at least a
couple of popular shows like Vera, the "Moishe the Explainer" vignette in any given episode may in fact take place in just such an
environment. The Inquisitor was released in France as Garde à Vue, which indicates being in police custody, which may actually
give a more or less complete summary of at least the general context of this film. And with regard to the forgoing mention of scenes taking place
involving police interrogations, that's pretty much the "whole story" in the film as well, though it may be salient to note the film was evidently also
released under the Anglicized title The Grilling, which may offer more of an insight into the emotional ambience of everything.


Note: Screenshots are sourced from the 1080 disc in this package.
The Inquisitor is presented in 4K UHD courtesy of Radiance Films with an HEVC / H.265 encoded 2160p transfer in 1.67:1. Radiance sent
check discs for the purposes of this review and so I'm not privy to any verbiage contained in an insert booklet, and their website frankly doesn't even
offer much information, but there is a quick prefatory text card before the feature indicating this is an at least relatively recent 4K restoration off of the
original camera negative. This is another shot on film entry that I suspect some may prefer watching in 1080, as the increased resolution of this format
can make the extremely heavy grain field almost appear swampy at times, especially in some of the dimly lit police office material. Grain tends to
resolve significantly more tightly (or at least appear to do so) in some of the cutaway scenes, like some quick interstitials at the beach and a few other
moments. Still, even with at times very heavy grain, fine detail can see some at least marginal upticks from already nice 1080 levels in things like the
herringbone pattern on Gallien's suit jacket. The bulk of the film, especially the police office scenes, are intentionally drab and maybe even dowdy
looking, and so the HDR / Dolby Vision grades may frankly not have that much to play with. I found the HDR grades to kind of weirdly almost
desaturate the police material in particular, adding cool blue and gray highlights that aren't quite as perceivable in the 1080 version. There are
more noticeably vivid pops of color in some of the "outside" material, including a very late vignette featuring an anecdote told by Chantal, which is
bathed in an almost "golden hour" buttery yellow which is quite evocative. My 4K score is 4.25.

The Inquisitor features LPCM Mono audio in the original French, but the track on both the 4K disc and the 1080 disc exhibits a really
strange anomaly I have personally never encountered before where the subwoofer is engaged (!) and there's an intermittent low frequency hum or
pulse that occasionally thrums through the track. Otherwise, the track is perfectly fine, so if you have the ability to deactivate your subwoofer or listen
in "true mono", this won't be an issue. Georges Delerue contributes an enjoyable score which sounds fine, and ambient environmental sounds like the
nonstop rain are also rendered without any issues. Dialogue is presented cleanly and clearly throughout. Optional English subtitles are available.
Note: I'll mention only in passing that this is now the second Radiance disc with some kind of authoring issue. I was an early
"warning voice" about problems with Radiance's The Tale of
Oiwa's Ghost, though I was originally kind of told to go away and stop bothering people by Radiance's US distributor as they were unable to
reproduce the problem. In the meantime, issues with that disc have become some widely reported that Radiance issued a replacement, and I suspect
the same may end up happening here.

The 4K disc has no supplementary material. The following supplements are offered on the 1080 disc:

This is a fascinating double feature from Radiance, and while the films share a number of tethers (including featured actors), they're also different enough to provide radically variant viewing experiences. Technical merits on both are generally solid, though audio on The Inquisitor has some weird issues and I suspect some may end up preferring the 1080 presentation of that film to the 4K UHD one. Supplements accompanying both films are excellent. Recommended.