6.7 | / 10 |
Users | 3.3 | |
Reviewer | 2.5 | |
Overall | 3.1 |
In his bestselling novels, author Bret Easton Ellis established himself as a modern chronicler of decadence, revealing dark shadows behind lives of wealth and glamour. In this new film, Ellis co-writes a script inspired by his own stories. Billy Bob Thornton, Kim Basinger, Winona Ryder and Mickey Rourke star in an interweaving tale in the tradition of Boogie Nights that unfolds in Los Angeles: a city ruled by addictions of every type - from sex, to drugs, to power - where youth is wasted, where love is fleeting, where every night is a headlong rush to the next orgy of sensation. Sooner or later, the party has to end...and the hangover is bound to be a killer.
Starring: Billy Bob Thornton, Kim Basinger, Mickey Rourke, Winona Ryder, Amber HeardDrama | 100% |
Period | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
English, English SDH
25GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region free
Movie | 1.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 1.5 | |
Overall | 2.5 |
There's no more sun.
How 'bout them Pittsburgh Pirates? They've failed to capture even one single winning season
since 1992 and the onset of the curse of Barry Bonds, Sid Bream, and Francisco Cabrera, and
they're set to break the all-time North American futility record for consecutive losing seasons.
With the 1993 hiring of General Manager Cam Bonifay, followed by the disastrous tenure of Dave
Littlefield from 2001-2007 and, now, the wheeling-and-dealing Neal Huntington, the franchise
seems, at least in the immediate future, to be no closer to either respectability or contention
than it was when Bonifay took the reigns 17 years ago. Nevertheless, fans must give the current
regime a bit of leeway; Huntington has been tasked with replenishing a barren minor league
system as quickly as possible in hopes that several players will emerge as stars and leaders that
will carry the Pirates to the promised land of .500 and, hopefully, beyond. Considering the core
players of the past several years -- Jason Bay, Xavier Nady, Jack Wilson, Freddy Sanchez, Nate
McLouth, et. al. -- failed to even sniff contention while all playing together at the same time,
breaking it up and starting over again seemed the only logical next step in steering the good ship
Pittsburgh out of the storm and into calmer seas. Now, the future rests on the shoulders of
up-and-comers Andrew McCutchen and Ross Ohlendorf; the newly acquired Tim Alderson and
Jose
Tabata; the recently drafted Tony Sanchez and Pedro Alvarez; and if the 2009 squad can lose
enough games, phenom Bryce Harper.
I hope she's not a Brewers fan...
The Informers arrives on Blu-ray with a 1080p transfer framed in its original 2.40:1 aspect ratio. This is a fair image, adequate in every regard but never quite outstanding in any one area. It's generally drab, often bathed in shadows, dark grays, blues, and blacks, and with many dark colored backgrounds that reinforce the depressing tone that's evident throughout. Only some of the brightest exterior scenes offer up a reprieve from the doldrums of the image, and these tend to be the best looking moments of the film. Fine detail is solid throughout but won't greatly impress longtime Blu-ray viewers; everything from faces to background objects look fine but this one doesn't stack up to what there is to be seen in The International. Black levels are suitably good, and flesh tones remain a consistently natural shade. The Informers sports a layer of grain that's best described as "light" but with the occasional spike. The print is free of splotches, speckles, hairs, or other obtrusive debris. Though not the absolute finest transfer on Blu-ray, The Informers looks just fine in context.
The Informers debuts on Blu-ray with a vanilla Dolby TrueHD 5.1 lossless soundtrack. Much like the video presentation, there's no real problem with the soundtrack. It never really does much more than the bare minimum required of it, reproducing a rather mundane audio experience as well as can be expected. A mostly front-heavy outing, The Informers is primarily a dialogue-driven motion picture and the spoken word is delivered crisply and clearly. There's a fairly good sense of atmosphere and space to be found throughout; the subtle chirping of birds in chapter four or crashing waves in chapter sixteen bring the film's varied environments to splendid life. The fairly subdued score is delivered about as well as one might expect, each note playing with a clarity that's pleasing to the ear and befitting the quality listeners have come to expect from Blu-ray. A few sound effects, too, impress, particularly that of a vehicle engine rumbling and working hard at one crucial point in the film. The Informers' lossless soundtrack won't dazzle its listeners but its clear delivery of what is a rather hushed listen serves the movie well enough.
The Informers limps onto Blu-ray with only two supplements of note. First up is a commentary track with Director Gregor Jordan and Actors Jon Foster and Lou Taylor Pucci. A fairly standard-fare commentary track, the participants speak on how they came to be involved with the project, cutting down the script and eliminating major story lines (including one involving a vampire), shooting locations, the performances of the other actors, the death of actor Brad Renfro, the film's eschewing of formula and convention, and more. Human Intersections: Making 'The Informers' (1080i, 15:26) features cast and crew speaking on several subjects, including Bret Easton Ellis' body of work, translating the novel to the screen, the work of Director Gregor Jordan, the film's themes, its performances, and more. Also included with this Blu-ray release of The Informers is BD-Live functionality and 1080p trailers for Assassination of a High School President, Blood: The Last Vampire, What Doesn't Kill You, Obsessed, and Damages: Season One.
The Informers plays out like a poor reality television show that hedges its bets on merely pointing the camera at several eclectic individuals and hoping that they do something that someone will want to watch. Unfortunately, there's little here to capture the attention and imaginations of audiences. The Informers strays as far away from "escapist entertainment" as a movie can go and instead plays out as the sort of picture that's sure to kill any good mood that dares enter the theater. Down and depressing movies with a point often make for some of the best films out there; down and depressing movies without a point are just, well, depressing. Sony's Blu-ray release of The Informers isn't bad but it doesn't jump out as an especially great release, either. Boasting a serviceable technical twosome and a couple of scattered extras, The Informers might be worth a rental for anyone that's in the mood for a mood-killing motion picture.
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