6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Paul Racine (Christopher Lambert) is an American salesman with a computer firm who is in Japan on business. While spending an evening in a bar, he meets Kirina (Joan Chen), a beautiful but mysterious woman. Paul buys Kirina a drink, one thing leads to another, and he ends up spending the night with her. However, when Paul returns to her room to retrieve a set of keys he left behind, he discovers that Kirina is being murdered by Kinjo (John Lone), the master of a cult of bloodthirsty ninjas. Kinjo informs Karina that no one has ever seen his face and lived, so when Paul witnesses Kirina's execution and the face Kinjo hides behind his mask, he's a marked man. With the help of Takeda (Yoshio Harada), an experienced ninja fighter, Paul learns how to defend himself against his new adversaries as he plots a final showdown with the deadly Kinjo.
Starring: Christopher Lambert, John Lone, Joan Chen, Yoshio Harada, Yôko ShimadaMartial arts | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 3.5 |
One day, someone is going to write a book about the career of Christopher Lambert, hopefully titled, “Why Him?” Here’s an actor with a positively bizarre filmography, achieving his greatest success with 1986’s “Highlander,” where the Frenchman played an immortal Scotsman, showing proper physicality for the part, but never slam-dunking its emotional potential. Hollywood tried to do so much with Lambert, casting him in plenty of B- movies (such as “Fortress,” “Gunmen,” and “Knight Moves”), with the actor ultimately reaching the peak of industry support in 1995, with the release of “Mortal Kombat” and “The Hunted,” with the latter returning the star to the dangerous ways of swordplay. Lambert remains well out of his range in the feature, but “The Hunted” is perhaps the second best of his Americanized efforts, adding some hard stares and mild comedy to what’s largely a deadly serious investigation into honor and revenge concerning two rival ninja clans. Writer/director J.F. Lawton does relatively well with Lambert, but one can sense he’s had enough of the actor as the picture unfolds, slowly pushing his character into the background when the opportunity arrives to deal with some wonderful Japanese actors.
The AVC encoded image (1.85:1 aspect ratio) presentation handles like an average Universal catalog title. A new scan wasn't available, but Shout Factory does what it can with the master, which is diluted some by filtering. Softness remains, but not all detail is lost, finding close-ups delivering some sense of facial surfaces, and interior decoration is open for study. Exteriors aren't defined sharply, but distances are adequate, showcasing city visits and island activity. Colors are satisfactory, securing brighter neon highlights of Japanese nightlife, and costuming is passable, including red dresses and business attire. Delineation is acceptable, without extended stretches of crush. Source is in decent shape, without major elements of damage.
The 5.1 DTS-HD MA sound mix offers a more frontal position, but it's a forceful one, with rhythm presented by the Taiko drum score, which offers a pleasant rumble during the listening event, helping to secure suspense needs. Dialogue exchanges are sharp and true, handling accents without concern, and emotional volatility doesn't reach distortive extremes. Surrounds detail the expanse of music, and atmospherics are served well, delivering a feel for bullet train speed and violent activity, and rain is pronounced for a circular sense of position.
Some of Lawton's screenplay choices are awkward (this being 1995, computer chip salesman Paul is turned into an expert swordsman to give Lambert something to do), but "The Hunted" doesn't fall apart. It just slows down, which is always a mistake with this type of entertainment. Lawton gets too caught up in his version of an Eastern showdown, soon unable to balance subplots and focus as he braids Japanese culture with Hollywood demands. He doesn't quite know how to end "The Hunted," but Lawton has a distinct way to begin it, and that's enough to support the viewing experience.
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