8.2 | / 10 |
Users | 4.8 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Starring: Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Susse Wold, Anne Louise HassingDrama | 100% |
Foreign | 75% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Danish: DTS-HD Master Audio 5.1
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region A (locked)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.5 |
The most striking feature of The Hunt, Thomas Vinterberg's cautionary tale about a small Danish town's persecution of one of its own, is how normal everything looks on the surface, and yet how unsettling, for reasons you can't quite identify, even from the opening frames. Inspired by reports from a child psychologist acquaintance who believed that "thought is a virus", and working from a script written with Tobias Lindholm (A Hijacking ), Vinterberg has created a story in which normality itself teems with danger, where familiar streets and the people you see every day may suddenly become a foreign land where you are the alien. Vinterberg is best known for The Celebration (Festen), the first film released under the attention-grabbing "Dogme 95" code created with Lars von Trier, but he has moved away from Dogme's constraints (although not nearly as far as von Trier, whose Wagnerian special effects in Melancholia are the very essence of what Dogme rejected). Vinterberg now takes a director's credit and shoots in widescreen, among other Dogme violations, but he still adheres to the Dogme spirit of returning film to its roots in personal drama. (It's no accident that Vinterberg, like many of Hollywood's greatest directors from its golden age, also directs productions for the stage.) The Hunt eschews any effort to make moral or political pronouncements, which is the temptation that often undercuts von Trier's work. It simply observes a series of relationships and interactions—within families, between generations, inside established social groups—while a confluence of circumstances creates an explosive mixture, and an apparently close-knit society is blown apart.
The Hunt was shot on the Arri Alexa Plus by director Vinterberg's regular collaborator Charlotte Bruus Christensen and finished on a digital intermediate. Magnolia Home Entertainment's 1080p, AVC-encoded Blu-ray was presumably sourced from digital files and sports a sharply detailed, noiseless and artifact-free image. Still, as is usually the case with the Alexa, the picture is remarkably film-like in its textures, lacking the hard edges of some digital productions. Blacks are solid, contrast is appropriate and shadow detail is excellent. Since the bulk of the film occurs during November and December, the film is dominated by earth tones and autumnal colors of forests losing their leaves. Snow falls near Christmas, but the whites are not overly bright. As is its custom, Magnolia has given The Hunt plenty of room to breathe, despite the likelihood that this digitally originated footage could probably compress more tightly without noticeable damage. The average bitrate of 35.99 Mbps is generous by any standard and stands as a reproach to studios that skimp on digital real estate and then expect players and display devices to compensate for (or simply hide) any imperfections.
The Hunt's original Danish 5.1 audio track (with an occasional exchange in English) is presented as lossless DTS-HD MA, and it's a superb track. I can't judge the clarity of the Danish dialogue, but the English, when it occurs, is completely clear. Subtle sounds and environmental cues accompany the action, and although there are no obvious rear channel effects, one has a sense of the entire surround array being utilized. The minimalist score by Nikolaj Egelund, which relies heavily on acoustic guitar, has a distinctive presence.
Arrow released The Hunt in a Region-B-locked edition in March of this year. However, that version contained only a trailer. Magnolia has added several extras of genuine value.
The Hunt leaves the viewer disturbed, because it's such an effective reminder of how quickly one can be ejected from society by unforeseen developments beyond our control. No one person is responsible for what happens to Lucas, not even young Klara, who simply succumbs to a child's flash of emotion, which she repeatedly tries to retract. Thereafter, everyone in town, with the exception of Lucas' son and his friend Bruun, plays their part in generating a new and fictitious narrative that transforms Lucas from the good man they knew to a sexual predator they want to cast out. What's remarkable about the process is the speed with which it rushes forward, without anyone being willing—or having the credibility—to stand up and say, "Wait a minute! Let's be sure we're right!" Such thoughtful reflection is an essential human quality, but when creatures react from fear, animal nature takes over. Highly recommended.
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