6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Millie is a struggling woman who is relieved to get a fresh start as a housemaid to Nina and Andrew, an upscale, wealthy couple. She soon learns that the family’s secrets are far more dangerous than her own.
Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Elizabeth Perkins, Michele Morrone| Psychological thriller | Uncertain |
| Mystery | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
When films (or film adaptations) like Diabolique and/or Deathtrap become so well known that their "big twists" are generally not "top secret" anymore, it probably presents an unavoidable hurdle for at least tangentially similar entries like The Housemaid to deliver big surprises. Linking the Clouzot and Levin properties may drop a rather broad hint as to at least some sidebar material in The Housemaid, but there are other ways this narrative attempts to deceive its viewers. In that regard, The Housemaid had a literary source which delivered a switch in narrators and perspective in a bit of structural artifice some seem to think began with Gone Girl, but which has a number of notable older examples. A variety of sources often point to Agatha Christie's Poirot mystery The Murder of Roger Ackroyd as a prime early example of at least an unreliable narrator if not one who actually switches, but some religious scholars might want to joke that none other than the Book of Genesis has two at times diametrically opposed "narrators", noted for their use of different divine names among other manifest variations, a dialectic which certainly predates either Christie or Gillian Flynn by a millennia or two or three or four (depending on whom is cited). That perspective "switcheroo" is handled at a bit past the hour mark in this particular enterprise, with a more or less narrated elision that delivers a number of supposedly mind blowing revelations about one of the two focal female characters.


The Housemaid is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists the Sony CineAlta Venice 2 camera and a 4K DI as relevant data points. This is an appealing 1080 presentation, and in fact the "normal" setting for so much of the story may in fact mean that improvements seen in Lionsgate's 4K release of the film can be on the subtle side. This 1080 presentation boasts nice clarity and some especially precise renderings of fine detail on the luxe production design that brings the Winchester home to life. Textures on fabrics and even some background sets (like the attic) are excellent. The palette is very healthy and natural looking, though this is one place where the 4K disc's HDR / Dolby Vision grades may add a bit of luster that this 1080 presentation can't quite evoke.

As with the video side of things, the Dolby Atmos track on this disc is consistently immersive if only rarely really "showy" in terms of simultaneous height and breadth. Despite the bulk of the film playing out inside the family manse, there's appealing directionality throughout and both sound effects and even some dialogue can help to establish spatial relationships. Theodore Shapiro's score also gets a nice presentation that resides in the side and rear channels. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


The Housemaid frankly struggles at times to offer anything substantially "new" in terms of unreliable narrator material or even "big twists". Still, it has an unsettling mood and some nice performances. Technical merits are solid and the supplements appealing. With caveats noted, Recommended.