6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Millie is a struggling woman who is relieved to get a fresh start as a housemaid to Nina and Andrew, an upscale, wealthy couple. She soon learns that the family’s secrets are far more dangerous than her own.
Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Elizabeth Perkins, Michele Morrone| Psychological thriller | Uncertain |
| Mystery | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 3.5 |
When films (or film adaptations) like Diabolique and/or Deathtrap become so well known that their "big twists" are generally not "top secret" anymore, it probably presents an unavoidable hurdle for at least tangentially similar entries like The Housemaid to deliver big surprises. Linking the Clouzot and Levin properties may drop a rather broad hint as to at least some sidebar material in The Housemaid, but there are other ways this narrative attempts to deceive its viewers. In that regard, The Housemaid had a literary source which delivered a switch in narrators and perspective in a bit of structural artifice some seem to think began with Gone Girl, but which has a number of notable older examples. A variety of sources often point to Agatha Christie's Poirot mystery The Murder of Roger Ackroyd as a prime early example of at least an unreliable narrator if not one who actually switches, but some religious scholars might want to joke that none other than the Book of Genesis has two at times diametrically opposed "narrators", noted for their use of different divine names among other manifest variations, a dialectic which certainly predates either Christie or Gillian Flynn by a millennia or two or three or four (depending on whom is cited). That perspective "switcheroo" is handled at a bit past the hour mark in this particular enterprise, with a more or less narrated elision that delivers a number of supposedly mind blowing revelations about one of the two focal female characters.


Note: Screenshots are sourced from the 1080 disc in this package.
The Housemaid is presented in 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.39:1. The IMDb lists
the Sony CineAlta Venice 2 camera and a 4K DI as relevant data points. This is an appealing 4K presentation, though the film despite its melodramatic
subtext is set in a fairly "normal" (if decidedly upscale) environment, and so there may not be a ton of visual "bells and whistles" that this 4K
presentation is able to exploit. That said, there are noticeable if subtle improvements in fine detail throughout the 4K presentation, often observably on
things like fabric textures or even textures like the paneling in the dreaded attic space. The HDR / Dolby Vision grades also arguably don't have a ton
to "play with", but there are some rather interesting highlights that can be seen, including some rather subtle hellish red tones that peek through
underneath the production design in the background which aren't as noticeable in SDR and 1080.

As with the video side of things, the Dolby Atmos track on this disc is consistently immersive if only rarely really "showy" in terms of simultaneous height and breadth. Despite the bulk of the film playing out inside the family manse, there's appealing directionality throughout and both sound effects and even some dialogue can help to establish spatial relationships. Theodore Shapiro's score also gets a nice presentation that resides in the side and rear channels. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.

Note: Both the 4K and 1080 discs in this package sport the same slate of supplements:

Kind of weirdly for what has in my experience been a relatively well oiled publicity machine, Lionsgate didn't send out 4K editions of this film, which can often mean some kind of technical issue which I frankly did not experience with this disc. The very setting of the film may mean that the 4K presentation isn't going to be gobsmacking enough to "wow" fans, but despite inherent subtleties, the video side of things does enjoy some improvements here and the Atmos audio is also well done. Supplements are enjoyable. Recommended.