5.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Max, a troubled man, starts working at a retirement home and realizes its residents and caretakers harbor sinister secrets. As he investigates the building and its forbidden fourth floor, he starts to uncover connections to his own past and upbringing as a foster child.
Starring: Pete Davidson, John Glover, Mugga, Adam Cantor, Bruce Altman| Horror | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 1.0 | |
| Overall | 2.5 |
Note: In a release strategy that somewhat mirrors their recent The Surfer 4K, Lionsgate Limited is (as of the writing of this review) the only place to find The Home 4K, which includes a 1080 disc. While it took Lionsgate a couple of
months to offer a wide standalone 1080 release of The Surfer, they've brought out this standalone 1080 release of
The Home simultaneously with the 4K release which is
available on Amazon.
Horror films in particular often like to craft a story where some kind of naïf is surrounded by apparently friendly people who, well,
aren't. The prime example in that category probably continues to be Rosemary's Baby, especially given the seemingly "meek" qualities Mia Farrow brought to her characterization of
Rosemary
Woodhouse. Few would probably ever accuse Pete Davidson of being meek or naive, and that may be one underlying issue with The
Home, since it may be hard for some viewers to believe that a force of nature like Davidson couldn't handle himself more effectively under the
fraught circumstances that his character Max finds himself in this admittedly at least intermittently spooky enterprise. The Home
virtually
wallows in disturbing imagery and jump scares, but its actual narrative is frankly patently absurd on any number of levels, and while the
supporting performances by a cohort of seniors with impressive New York theater pedigrees are quite effective, Davidson's "heralded" dramatic
debut
is probably not going to
make his audition reel anytime soon.


The Home is presented on Blu-ray courtesy of Lionsgate Films an AVC encoded 1080p transfer in 2.39:1. As of the writing of this review there's no real authoritative technical information I could find online about the shoot, and the making of EPK on the disc never really clearly shows a camera model, but this is an evocative digital capture that is explicitly described in that aforementioned EPK as being "low contrast" and "dirty" looking, both of which may provide occasional obstacles for videophiles wanting their imagery to be crystal clear and gorgeously defined. The self-described "soft" aspects to the cinematography are probably most evident in the flashback material as well as a number of almost sepia toned interior shots, some of which can look downright fuzzy at times, while some of the outdoor material and even brightly lit scenes in the retirement home offer better clarity and consistent fine detail levels. The 4K release offers HDR (no Dolby Vision that my player identified) that does offer some really evocative highlights in some of the aggressively graded material, including some almost cobalt blue scenes on the "forbidden floor", but the palette is generally quite effectively vibrant (if often deliberately "wintry") in this 1080 presentation.

The Home features an appropriately spooky Dolby Atmos track that offers generous immersion at times but which probably relies too often on startle effects and jump cuts with bursts of LFE to up the angst levels. It seems patently obvious to me that Nathan Whitehead based his score on both Christopher Komeda's iconic work on Rosemary's Baby and Jerry Goldsmith's somewhat similar approach toward The Omen, with "Satanic chants" hallucinogenically filling the surround channels. Scenes both inside the home and on the grounds regularly offer engagement of the side and rear channels for various effects. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


The Home can't quite "get there" in terms of providing a clear narrative and motivations for an increasingly bizarre and ultimately ridiculous plot. Davidson is probably miscast here, but the supporting cast is often quite effective, if just as frequently playing to the second balcony (to use a theatrical terms of art, considering the background of many of those performers). Technical merits are generally quite impressive for anyone considering making a purchase.

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Collector's Edition
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Standard Edition
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1975

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2002

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Slipcover in Oiginal Pressing
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