7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A woman is being attacked by the yakuza of the Mitsuyoshi group … A man with a pistol appears dashingly and shoots the yakuza without question now the yakuza want him dead.
Starring: Tetsurô Tanba, Ryûji Katagiri, Hideki Saijô, Kimiko Yo, Shinzô Hotta| Foreign | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Japanese: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of the V-Cinema Essentials: Bullets & Betrayal collection from Arrow Video.
In 1976 folks in the United States were celebrating the bicentennial anniversary celebration of a famous revolution, but another revolution
of
a technological rather than a political variety was just beginning to unfold across the ocean in Japan at virtually the same time. That was the year
that
VHS began its scrappy
upstart status against Betamax in a format war which in its day was probably at least as notorious as the one that decades later marked the rollout
of
high definition home video with competing HD-DVD and Blu-ray formats. Betamax of course ultimately lost that battle (rather incredibly both
Betamax
player and VCR production extended well into the 21st century, despite having been supplanted by disc formats), and by the time Toei had the
bright
idea to start producing direct to video releases in 1989, VHS was the dominant format. In a way it's kind of fascinating to compare and contrast
Toei's decision to provide "product" to its chain of video stores with the way the major Hollywood studios used to provide feature films for the
theater
chains they owned until United States v. Paramount Pictures, Inc. forced the studios to divest those properties in 1948. One way or the
other, despite economic tribulations in Japan which had severely impacted (theatrically exhibited) movie attendance, the direct to video market
exploded for Toei, so much so that other major (and minor) Japanese studios soon followed suit by offering their own straight to video productions,
though Toei had actually trademarked the term V-Cinema to describe their product. This collection of V-Cinema outings from Arrow
includes a nonet of titles that tend to feature hardscrabble criminal types, including the film that started the whole V-Cinema craze, Crime
Hunter: Bullets of Rage.


The Hitman: Blood Smells Like Roses is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.33:1. Arrow lumps all of the films together in their page devoted to the presentations in this set's insert booklet, as follows:
The films in this collection represent a period of film production in Japan in the late 1980s and early 1990s where films were made by the Toei Company specifically for home video. Beginning with Crime Hunter: Bullets of Rage, these "V-Cinema" titles were produced quickly and inexpensively, but afforded filmmakers significant freedom when it came to censorship, resulting in riskier content than what had been produced for cinema distribution.Perhaps due to the fact that this story isn't swathed in near darkness a lot of the time, this presentation probably pops a bit more consistently than some of the others in this set, while also providing some nice fine detail levels in midrange and close-up framings. There are some fluctuations in brightness which can overlay a slightly milky look to some scenes. Grain can be heavy, but tends to resolve a bit more tightly than is seen in some of the other presentations in this set. Once again, minor but noticeable age related wear and tear can be spotted.
As such, the modest origins of these titles can be seen in these presentations. All films have been remastered by the Toei Company in high definition and are presented in the 1.33:1 home video format of the time.

The Hitman: Blood Smells Like Roses features LPCM 2.0 audio in the original Japanese. This is one of the more vibrant soundtracks in Arrow's set, courtesy of both the use of some fun (if dated) music (Saijô was also a top charting singer in addition to be an actor), as well as glut of sound effects, notably guns piercing human flesh with all the attendant noises that makes. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


There is nonstop action (in both senses of the word), as well as some spectacular violence, running rampant through The Hitman: Blood Smells Like Roses. Some aspects like sexual assault may obviously be off putting, but they may arguably add to the gritty fervor of this film. Technical merits are generally solid and the main supplement appealing. Recommended.
(Still not reliable for this title)

1991

カルロス
1991

女囚さそり 殺人予告 / Joshuu sasori: Satsujin yokoku
1991

Danger Point: 地獄への道
1991

クライムハンタ- 怒りの銃弾
1989

夜のストレンジャー 恐怖 / Yoru no sutorenjā Kyōfu
1991

オ チンピラ 鉄砲玉ぴゅ~
1990

XX ダブルエックス 美しき狩人 / XX: Utsukushiki karyuudo
1994

1970

沖縄10年戦争 / Okinawa jû-nen sensô
1978

Black Statement Book
1963

1970

La polizia ha le mani legate
1975

ギターを持った渡り鳥 / Guitar wo Motta Wataridori
1959

La Femme Bourreau | Limited Edition
1968

1990

Kafti ekdikisis | Standard Edition
1969

Dræberne fra Nibe
2017

Limited Edition
1970

1973