5.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother's family. Now that the stage is set, the mother wants to return to life by taking over her daughter's body.
Starring: David McCallum, Nicole Eggert, Christopher Halsted, Lana Clarkson, Maria FordHorror | 100% |
Thriller | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
None
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 4.0 | |
Overall | 3.0 |
Producer Roger Corman has spent his career paying tribute to the works of author Edgar Allan Poe, most notably masterminding pictures such as “The Masque of Red Death” and “House of Usher.” In 1990, Corman returned to Poe’s creative playground with “The Haunting of Morella,” tasking co-writer/director Jim Wynorski to come up with a sexually charged take on witchcraft and period passions, making sure to remain within strict budgetary limits. Big on nudity and light on thrills, “The Haunting of Morella” isn’t a premiere Poe/Corman pairing (the material was previously covered in “Tales of Terror”), but when the film finally begins to issue macabre highlights, it finds its B-movie footing.
The AVC encoded image (1.78:1 aspect ratio) presentation battles with softer cinematography, identifying bloomy whites and challenges to fine detail. The viewing experience seems true to intentions, but the haziness gets a little carried away at times. Textures have to fight for attention, passable with close-ups and costuming. Colors are comfortable and true to style. Delineation reaches as far as possible. Source encounters its share of scratches and speckling.
The 2.0 DTS-HD MA sound mix is a bit problematic. Sourced from a troublesome IP, the feature is missing a handful of brief shots (accessible in the supplements), which messes with the track at times. Most notably, there are a few instances when music cues are abruptly cut off. The rest of the listening experience inches toward shrillness, finding thespian surges hitting crispy highs, though intelligibility is never threatened. Scoring is dull but acceptable, retaining basic dramatic shape and purpose. Atmospherics are thick, keeping in line with the movie's limited budget.
What's interesting about "The Haunting of Morella" is how much it retains the classic Corman/Poe atmosphere. It's modernized all the way, but a little of the old hysteria remains, and the feature does escalate agreeably, making time for witches, gore, and sex. While production efforts are hampered by budget issues, Wynorski keeps up the "Poe Cycle" to the best of his ability, creating a climax that's filled with amusing chaos and gothic horror.
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