7.1 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.6 |
A small-time conman has torn loyalties between his estranged mother and new girlfriend, both of whom are high-stakes grifters with their own angles to play.
Starring: John Cusack, Anjelica Huston, Annette Bening, Pat Hingle, J.T. Walsh| Film-Noir | Uncertain |
| Drama | Uncertain |
| Thriller | Uncertain |
| Crime | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 4.0 | |
| Video | 3.0 | |
| Audio | 5.0 | |
| Extras | 4.5 | |
| Overall | 3.5 |
Stephen Frears' "The Grifters" (1990) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the release include exclusive new program with Annette Bening; archival audio commentary recorded by Stephen Frears, John Cusack, Anjelica Huston, and screenwriter Donald E. Westlake; archival documentary about the production of the film; vintage trailer; and more. In English, with optional English SDH subtitles for the main feature. Region-Free.


Criterion's release of The Grifters is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".
The following text appears inside the leaflet provided with this release:
"Supervised and approved by director of photography Oliver Stapleton, this new 4K master was created from the 35mm original negative. The original 2.0 surround soundtrack was remastered from the 35mm magnetic track. Please be sure to enable Dolby Pro Logic decoding on your receiver to properly play the 2.0 surround soundtrack.
When The Grifters was released in 1990, the 35mm prints that circulated were made using a "bleach bypass" process. Skipping the bleach in color-film development yields reduced saturation, higher contrast, and grain. As part of the work on this release, Stapleton's personal 35mm bleach-bypass print, which he screened for mastering supervisor Lee Kline and colorist Greg Fisher at the BFI in London, served as a guideline for grading the scans of the negative. The resulting 4K presentation comes closer to the film's intended look than any other version since the theatrical prints.
Mastering supervisor: Lee Kline, Giles Sherwood.
Colorist: Greg Fisher/Company 3, London.
Image restoration: Prasad Corporation, Burbank, CA.
Audio restoration: The Criterion Collection."
Please note that some of the screencaptures included with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Screencaptures #1-25 are from the Blu-ray.
Screencaptures #28-34 are taken from the 4K Blu-ray.
The release introduces an exclusive new 4K makeover of The Grifters, approved by director of photography Oliver Stapleton. In native 4K, the 4K makeover can be viewed with Dolby Vision and HDR grades. I chose to view with Dolby Vision and later spent time with the 1080p presentation of it on the Blu-ray.
I have one other release of The Grifters in my library, which is this Blu-ray release produced by StudioCanal in 2009. It is barely serviceable. It offers some minor upgrades over a previous DVD releases of the film, but it is sourced from a very, very old master with plenty of issues. So, I was very much looking forward to the combo pack, hoping that it would be a tremendous upgrade in quality, as well as the definitive home video release of the film. I viewed the 4K makeover two days ago on 4K Blu-ray, and last night, I also viewed it on Blu-ray. I just wanted to make sure that my feelings for it are final.
This 4K makeover is quite the head-scratcher. It gives the film its healthiest appearance to date, but it alters it in such a dramatic way that certain parts of it just do not look right. Why exactly? The entire film looks much cooler and seriously tealed now, causing select primary colors to essentially collapse and disappear. The most striking changes are during daylight footage, where the tealing is very strong. I think that it affects certain shadow nuances too. I have never seen this film look like this, including at the theater. Indoor footage, and especially the one where light is restricted, tends to look a bit better, but even there the effects of the changes are easy to recognize. This is very disappointing because the previous presentation of the film has other issues, some again related to color reproduction, and its overall quality is underwhelming. I suppose the good news here is that in many areas delineation, clarity, and depth are quite strong. Also, the entire film looks a lot healthier. However, the 4K makeover does not reproduce the film's original theatrical appearance.
I sampled various darker areas to see how they look in native 4K and 1080p. In a few areas, I think that the Dolby Vision grade flattens existing dark nuances a bit. The most obvious examples are in the final third of the film. In 1080p, the same areas look marginally better, but I noticed some compression artifacts. My score is 3.25/5.00.

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
The audio is very clear and easy to follow. I pulled up my Blu-ray release and ran a few quick comparisons because it has a 5.1 track. The 2.0 track is perfectly fine and healthier. The audio is very thick and free of any age-related imperfections. Also, my old Blu-ray release does not have optional English SDH subtitles, while this release does.

4K BLU-RAY DISC

Criterion's upcoming combo pack release introduces a new 4K makeover of The Grifters that many people will find controversial. I did, too. Over the years, I have gone through numerous releases of this film, which I like a lot, and they have all had various problems. I wanted the combo pack to be the definitive release of The Grifters, but I can only praise the excellent selection of exclusive new and archival bonus features that are included on it.

1948

Warner Archive Collection
1947

1944

1946

Special Edition
1953

1950

1957

Limited Edition to 3000
1987

2009

1955

1952

1946

1949

Warner Archive Collection
1944

5 Steps to Danger
1957

Collector's Edition
1949

Hot Spot
1941

1951

1950

1952