7.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
The Grateful Dead performs live at Winterland in San Francisco in October 1974.
Starring: Jerry Garcia, Bob Weir, The Grateful Dead, Phil LeshMusic | 100% |
Documentary | 52% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
English: LPCM 2.0 (96kHz, 24-bit)
English
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 3.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
There are numerous acts whose live shows never match the pristine magnificence of their studio recordings, but you’d be hard pressed to find a Deadhead who wouldn’t argue that the only way to really experience The Grateful Dead was by attending one of their shows. The Dead were legendary concert performers, ones who regularly turned in hugely entertaining evenings of music, usually liberally sprinkled with extended jam sessions that could build to near ecstatic levels for both the players and audience alike. It’s sort of sad, then, that there’s so precious little footage of the band performing live, something that The Grateful Dead Movie sought to ameliorate by offering an edited version of five nights of performances at the iconic Winterland Ballroom in October of 1974. This was a prime performance era for the band and The Grateful Dead Movie captures not just some wonderfully energetic concretizing, but perhaps just as importantly, the band’s almost mesmeric power over its audiences. Though Deadheads aren’t exactly known for their restraint with regard to various herbal and quasi-pharmaceutical enhancements, which may account at least in part for their collective St. Vitus’ Dances in the aisles, it’s also obvious that even without any “extracurricular” aid from any ingested products, the fans are uniquely in love with The Grateful Dead, and that is something that The Grateful Dead Movie makes completely clear.
There's good news and bad news with regard to The Grateful Dead Movie's AVC encoded 1080p transfer in 1.78:1. The transfer was culled from the original 35mm negative, scanned by San Francisco HD transferring facility Retina on a Thompson Spirit Datacine in 1080p/23.98psf. The original 1.85:1 theatrical aspect ratio was masked for, but this HD transfer was slightly cropped according to the liner notes in order to conceal flaws in the side edges printed in the optical blowup from 16mm original camera negatives to the 35mm CRI negative that was used to make the film's theatrical release prints. The full height of the original frame is preserved, and according to the liner notes, Retina employed no grain or noise reduction during the scan in order to avoid motion artifacts later in the mastering process. The film was also color corrected with the DaVinci 2K Plus system. Though all of this tech-speak might lead you to believe The Grateful Dead Movie looks as fantastic as any contemporary HD-filmed concert release, that's simply not the case, and expectations must be adjusted accordingly. The simple fact is that video quality is at least somewhat sharper than we've seen it before, especially with regard to the Gutierrez animated sequences, which really pop magnificently, at least considering their age. In terms of the concert footage, things are considerably spottier. Grain still runs rampant, and the overall look is fuzzy, often to the point of complete blurriness in some of the midrange and farrange shots of both the band and the audience. Saturation is moderately more intense than previously, but there's still a somewhat pallid look to everything here. A lot of this is due not just to the source elements, but obviously to the filming conditions themselves, which were often in less than ideal light, and that means there's fairly consistent crush in this transfer (despite Retina's attempts to overcome a lack of shadow detail), though actual black levels are quite good throughout the film. If you don't come to The Grateful Dead Movie with unrealistic expectations, chances are you won't be too horribly disappointed, even if similarly you're not too overwhelmingly excited either.
Despite what you may have read online, there are actually two DTS-HD Master Audio 5.1 mixes on this Blu-ray, both at 96kHz/24-bit, one of the original theatrical release mix and another redone specifically for this Blu-ray (though according to the liner notes, the theatrical release's 5.1 mix was actually futzed with for the Blu-ray release in order to cull the LFE channel from the existing masters). The all new 5.1 mix for the Blu-ray (as opposed to the original theatrical mix slightly repurposed to 5.1 for this release) was culled from the 16 track master analog tapes. I toggled between these two repeatedly throughout the film and frankly couldn't hear a whole lot of difference, though in a couple of the performance sequences, it did seem like the band was mixed more discretely so that individual instruments were a bit clearer. However, the fact that we're given three lossless tracks here (the other is an uncompressed LPCM 2.0 stereo fold down) is fantastic news, though curmudgeons will probably lament the fact that no actual uninterrupted performances are included here, since the documentary is as much about the audience as it is the band. Fidelity is incredible, with sparkling clear audio throughout all ranges. The audience noise never overpowers the band, and while occasionally vocals aren't especially prominent, the band itself sounds fantastic. I seriously doubt anyone is going to complain about either of the 5.1 tracks for any technical reason. All three audio options offer superb dynamic range, with especially excellent low end on the two DTS-HD Master Audio 5.1 mixes.
The Grateful Dead Movie isn't your typical concert film, and that's by design, quite a bit of it due to co-director Jerry Garcia, who wanted to capture the entire zeitgeist of a Dead event, not just the music. As a result, this is one of the more fascinating filmic time capsules of a band, its fans, and its era, one that presents everything in a greater context than just watching a band traipse through a set of songs. While a great deal of care has been lavished on the video and audio upgrade for this Blu-ray release, there's only so much that could be done with the image quality here, so don't expect miracles. With that said, though, this release is easily Highly recommended.
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