7.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Set in 1930s Japanese occupied Manchuria, tells the story of three Joseon mounted bandits who get their hands on a treasure map, only to be pursued by the army of national independence, who believe that the outlaws have a map for a new railway to be built by the Japanese army.
Starring: Song Kang-ho, Lee Byung-hun, Jung Woo-sung, Ryu Seung-su, Zhang Qi| Foreign | Uncertain |
| Western | Uncertain |
| Comedy | Uncertain |
| Adventure | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Korean: DTS-HD Master Audio 7.1
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Videophiles may have understandably felt like IFC Films nailed two out of the three adjectives in this film's title when they released a 1080 version on disc way back in 2010 that featured an interlaced presentation. It was at least evidently encoded via AVC, unlike some early MPEG-2 interlaced Blu- rays that entered my review queue at around the same time, so there's that, but one way or the other while this release may irk some by not including a 1080 presentation of the feature (the accompanying 1080 disc is all bonus features), Arrow Video has once again come to the rescue of cult film lovers by offering another sumptuously packaged 4K release.


Note: This release does not include a 1080 Blu-ray of the feature (as mentioned above, the 1080 disc in this package contains only bonus
features), so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080 and SDR. Color space in particular is therefore not
accurate, and I recommend those interested to look at some of the screenshots in our now ancient The Good, the Bad, the Weird Blu-ray review for a probably better representation of the
palette despite any other inherent inadequacies of that presentation. Since this release does not include a 1080 disc of the main feature, the 2K
video score above has been intentionally left blank.
The Good, the Bad, the Weird is presented in 4K UHD courtesy of Arrow Video with an HEVC / H.265 encoded 2160p transfer in 2.36:1.
Arrow's insert booklet contains the following information on the presentation:
The Good, The Bad, The Weird is presented in its original 2.35:1 aspect ratio. Bot the Korean Cut and International Cut are presented with 7.1 audio mix.Despite its interlaced presentation, the old 1080 disc got at least passable marks from Casey, but fans of this film are in for a treat with this really sterling new 4K UHD presentation. It's kind of interesting to me that CJ Entertainment evidently provided a 4K SDR master which was then further tweaked for the HDR / Dolby Vision grades by "outsiders" (though Fidelity in Motion is certainly understandably appreciated in this regard), but the result does not show any signs of any disconnect between source and additional blandishments. The appearance of both versions is typically beautifully organic, with a nicely resolved grain field and really precise looking fine detail on all of the practical sets and costumes. Detail is perhaps surprisingly constant even in some of the extremely wide outdoor vistas which are offered, where those so inclined can virtually count blades of grass or particles of sand at various moments. But once again it's probably the palette that provides the most overt visual gobsmacking, with the HDR / Dolby Vision grades really boosting some of the incredibly vivid primaries in particular. While the many outdoor scenes probably understandly benefit the most from the HDR grading, even a lot of the interior scenes offer gorgeously burnished hues.
The 4K SDR masters were supplied by CJ Entertainment. HDR10 and Dolby Vision colour grading was completed by Fidelity in Motion. Additional picture restoration was completed by R3Store Studios.
All audio mixes were supplied by CJ Entertainment. Additional audio mastering was completed by Þorsteinn Gíslason..
This new presentation of The Good, The Bad, The Weird has been approved by Director Kim Jee-woon.

Casey rather liked the old 1080 disc's DTS-HD Master Audio 5.1 track, and the good news is the DTS-HD Master Audio 7.1 track offered on this disc seems to recreate the same winning surround activity that Casey details in his review (I never owned the old IFC disc, which may actually be a good thing all considered, but I'm unable to do a side by side comparison). The ubiquity of outlandish action sequences offers some clear and consistent engagement of the side and rear channels, even if those rear channels are pretty explosive at times (in more ways than one). While it's obvious that the score by Dalpalan and Chang Young-gyu was meant to evoke Ennio Morricone, I'd point inquiring audiophiles to Jerry Goldsmith's work on Our Man Flint, which to my ears clearly influenced at least the Road of Desert cue. One way or the other, the score also is nicely dispersed in the surround channels. The glut of explosions and gunfire also provides good bursts of LFE. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Disc One (4K UHD)
This is the Korean theatrical cut of the film, in which the Korean independence fighters feature more prominently. It represents a halfway point between an early cut presented at Cannes and the ventual International cut, which combines the two.
- Commentary by director Kim Jee-woon and actors Song Kang-ho, Lee Byung-hun and Jung Woo-sung (International Version)
- Commentary by critic and producer Pierce Conran and critic James Marsh (International Version)
- Commentary by director Kim Jee-woon, cinematographer Lee Mo-gae, lighting director O Seung-cheol, aaand art director Cho Hwa-sung (Korean Version)
- Running Fast (HD; 1:30:26) is a vintage feature length piece documenting the production. Subtitles in English.
- The Good, the Bad, the Weird and the Vicious (HD; 18:55) features Kim Jee-woon and the cast in conversation. Subtitled in English.
- Analogue (HD; 13:36) looks at cinematography, lighting and stunts. Subtitled in English.
- Space (HD; 10:29) focuses on production design. Subtitled in English.
- Sound (HD; 10:56) addresses sound design. Subtitled in English.
- Movie / Storyboards Comparison (HD; 14:15) is subtitled in English.
- Behind the Scenes Featurette (HD; 15:03) offers candid footage and is subtitled in English.
- Making Of #1 (HD; 3:23) is subtitled in English.
- Making Of #2 (HD; 1:03) is subtitled in English.
- Interviews are subtitled in English:
- Interview with director Kim Jee-woon (HD; 3:15)
- Interview with actor Song Kang-ho (HD; 2:42)
- Interview with actor Lee Byung-hun (HD; 2:58)
- Interview with actor Jung Woo-sung (HD; 2:47)
- Cannes Highlight Reel (HD; 3:02)
- Deleted Scenes (HD; 43:55) feature optional commentary by Kim Jee-woon.
- Alternate Scene (HD; 00:47) also has a commentary.
- Alternate Ending 1 (HD; 1:52)
- Alternate Ending 2 (HD; 1:52)
- Alternate Ending 3 (HD; 1:52)
- Alternate Ending 4 (HD; 1:52)
- Alternate Ending 5 (HD; 11:49)
- Korean Theatrical Trailer (HD; 1:53)
- International Trailer (HD; 1:53)
- US Trailer (HD; 2:22)
- UK Trailer (HD; 1:56)

About the only complaint I suspect some fans of this film may have with this release is that it doesn't include a 1080 disc with the main feature. Otherwise, this is another really beautiful looking and sounding release from Arrow, with an amazing array of supplemental material and very handsome packaging with extra swag. Highly recommended.

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