6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Awaiting a visit by a committee that could give his company an award for excellence, the owner of an industrial scales manufacturing business tries to resolve any problems from his workers in enough time.
Starring: Javier Bardem, Manolo Solo| Foreign | 100% |
| Comedy | Insignificant |
| Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Spanish: DTS-HD Master Audio 5.1
Spanish: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Any movie fans who are old enough to remember vestiges of a bygone age like the daily print newspaper that would be delivered to the front door may recall the excitement of seeing ads populated with images of an Oscar and a listing of nominations after the yearly announcements were made. Back in those days, there weren't any entertainment focused cable channels, and even news coverage in papers of the nominations tended to be kind of hit or miss, with (at least in this reviewer's personal experience) virtually no complete listings of which films got nominated in which categories. It was always exciting, then, to see films that may not have even had a wide release yet getting trumpeted for raking in huge amounts of nominations, something that of course may have sparked potential viewer interest in a title. In that regard, it might have been fun to have seen the kind of ad campaign The Good Boss may have come up with back in the day, since it ended up getting a record number of nominations at the Goya Awards, Spain's equivalent to our Academy Awards. In fact its ultimate Goya wins for Best Picture, Best Actor, Best Director, Best Original Screenplay, Best Editing and Best Original Score would be the kind of haul which would have pretty much guaranteed a lot of press had those awards been handed out at the Oscars. All of this said, it may actually strike some jaded American types as a bit unusual that The Good Boss should have had such an impact in Spain. It's a smart and often sharply written black comedy of manners and one might say corporate intrigue, but it really doesn't seem to be the type of "blockbuster" that would corral an armful (or two) of awards.


The Good Boss is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer in 2.39:1. As tends to be the case with Cohen releases, there's no real technical information imparted on the cover, and unfortunately as of the writing of this review the IMDb is only listing lens information on its technical page. I similarly haven't been able to dredge up anything authoritative online. All of this said, this is a sharp and appealing transfer of what I'm asssuming was a digital capture finished at 2K. There's not a lot of visual "wow" to this film, but it offers it naturalistic aspects very well, with fine detail emerging precisely on everything from Bardem's wrinkled face to some of the textures on fabrics of costumes and furniture. There are some interesting slightly blown out moments in the factory which seem to be emphasizing the garish fluorescent lighting, but even here detail levels penetrate surprisingly well. Things may not be quite as fulsome in a couple of very dark scenes, including a kind of horrifying opening vignette showing a vicious beating in a park (which is actually a hate crime once it's more or less explained), which can be seen in screenshot 18.

The Good Boss features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options in the original Spanish. Kind of like with the video side of things, the film's sound design isn't ever overly "showy", and that may result in the fact that the stereo track will suffice perfectly well for many listeners. That said, the surround track can open up the soundstage, particularly in some of the cavernous factory scenes, and even in some of the outdoor vignettes involving Julio, the fired employee and the security guard. Dialogue is rendered cleanly and clearly throughout. In the broken record department, this is another release of a foreign language film by Cohen where the English subtitles are forced, not optional.


I kind of wanted The Good Boss to take one of two arguably hyperbolic, gonzo tacks: either try a purely farcical route, where despite Julio's best efforts, everything falls apart for him; or, alternately, a really dark and disturbing approach which would more fully depict Julio's moral turpitude. As it stands, I'm not sure the "shades of gray" approach The Good Boss takes ultimately helps it to achieve its desired aims, but it's nonetheless often a bracing character study and Bardem is really excellent throughout. Technical merits are solid, and The Good Boss comes Recommended.
(Still not reliable for this title)

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