6.3 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.5 |
Virtually every major studio in Hollywood's so-called Golden Era, including the companies that became known as the "Big Five", was either founded or run (sometimes both) by Jewish immigrants or descendants of Jewish immigrants. Metro Goldwyn Mayer had Marcus Loew, Samuel Goldwyn and Louis B. Mayer. Universal Pictures had Carl Laemmle and his scion. Paramount Pictures had Adolph Zukor. Fox Films, later subsumed by 20th Century Fox, had William Fox. Columbia Pictures had Harry Cohn. RKO had at least the tangential involvement of David Sarnoff. And Warner Brothers had, well, the Warner brothers. Had Israeli cousins Menahem Golan and Yoram Globus been born a generation or two earlier and ended up in the United States, they might very well have blended in with this august group in any number of ways, but they attained their own version of Hollywood's often elusive brass ring when they took over a faltering enterprise called Cannon Films in 1979. In a way, the Golan-Globus era of Cannon's output was almost comically similar to what, by the late seventies and then eighties, had become a largely dead vestige of the old way of doing things in Hollywood, meaning Cannon had what almost amounted to an assembly line of "product" that they churned out on a virtually weekly basis. That said, Cannon's stock in trade may have frankly had more in common with Golden Era "poverty row" studios like Monogram than with more prestigious outfits like the Big Five.
The Go-Go Boys: The Inside Story of Cannon Films is presented on Blu-ray courtesy of the MVD Rewind Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.78:1. This is a typically pretty widely variant looking piece, as should be expected given the glut of archival source materials that have been utilized to cobble the story together. The interviews done specifically for the documentary understandably look the sharpest and offer the most consistent fine detail levels, but other relatively contemporary interviews also pop rather well, all things considered. The archival video is all over the place, quality wise, with quite a bit of it looking fairly ragged, as can perhaps be gleaned by some of the screenshots accompanying this review.
The Go-Go Boys: The Inside Story of Cannon Films features a workmanlike LPCM 2.0 track that effortlessly supports this talking head extravaganza. While there are occasional snippets from films, with their soundtracks (including some in Hebrew), the bulk of the piece is interviews and the like, and as such, there's not a lot of "wow" factor, but there's also very little to really complain about, either, with all spoken material delivered cleanly, albeit with an understanding that some of the speakers have pretty thick accents. In that regard, for those who like a little unintentional comedy, putting the subtitles on may provide a laugh or two, since whoever transcribed this had a hard time with some of the accents, with any number of typos resulting, including my own personal favorite, "Khan" in the place of "Cannes". One slight issue is that there are burned in subtitles for some of the Hebrew and other foreign languages, which occasionally "fight" with the optional English subtitles for space in the frame.
Kind of hilariously, given the whole Jewish aspect mentioned above, one of the first interviews with Menahem Golan included in The Go-Go Boys: The Inside Story of Cannon Films has him rather sweetly recounting making what sounded almost like "magic lantern" or "flip book" shows when he was a kid, only to have no one show up for the "screenings". The fact that Golan mentions he scheduled these events on Saturdays may provoke some to think, "Hey, Menahem, schmuck, it was Shabbat, what did you expect?" That's said in jest, of course, but The Go-Go Boys: The Inside Story of Cannon Films is an object lesson in what the power of movies can mean for individuals in both positive and negative ways. The documentary probably could have used a more incisive look at some of Cannon's more questionable financing issues, but as a personal portrait of Golan and Globus, it's often surprisingly warm hearted. Technical merits are generally solid, and with caveats noted, The Go-Go Boys: The Inside Story of Cannon Films comes Recommended.
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