7.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. The aesthetic, political, and finally moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip, and in previous generations were immortalized by the likes of Millet and Van Gogh.
Starring: Bodan Litnanski, Agnès Varda, François WertheimerForeign | 100% |
Documentary | 24% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.33:1
French: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.5 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
The Gleaners and I is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.34:1. This is perhaps tellingly one of the few transfers in this set without any prefatory text, but the IMDb lists the Sony DSR-300 and Sony DCR-TRV950E as the minicams that Varda used, with the effort evidently being transferred to 35mm for release. This has an undeniably video- esque appearance, with a kind of processed, digital look and what appear to be sharpening artifacts at times, something that can be especially noticeable in panaromas against the horizon, where haloing around foreground objects can be noticed. The palette is rather nicely suffused, all things considered. Occasional interludes like some material in an industrial kitchen can looks somewhat softer than the bulk of the presentation. Despite the progressive presentation, there are what look like minor combing artifacts in some of the truck footage, and some of the archival video looks pretty rough.
The Gleaners and I features an LPCM 2.0 track in the original French. This is another Varda documentary that doesn't have an overly ambitious sound design, and the bulk of this piece is simply narration and first person talking head segments, with occasional interludes of classical music. Everything is rendered cleanly and clearly without any problems whatsoever. Optional English subtitles are available.
The Gleaners and I is another typically distinctive Varda documentary with both "text" and "subtext" in about equal measure. Video here is a little iffy looking at times, but audio is fine and the museum supplement quite interesting.
(Still not reliable for this title)
Les plages d'Agnès
2008
Visages villages
2017
L'univers de Jacques Demy
1995
Les glaneurs et la glaneuse... deux ans après
2002
Agnès Varda: From Here to There
2011
1976
Ydessa, the Bears and etc.
2004
1964
Réponse de femmes: Notre corps, notre sexe / Women Reply: Our Bodies, Our Sex
1975
1958
1982
The So-Called Caryatids
1984
1966
Les demoiselles ont eu 25 ans
1993
1991
L'une chante, l'autre pas
1977
Varda par Agnès
2019
Along the Coast
1958
Sans toit ni loi
1985
1984