5.5 | / 10 |
Users | 3.5 | |
Reviewer | 4.5 | |
Overall | 3.5 |
An American playboy escapes to Rio with ten million dollars in stolen cash and becomes a target for a local crime boss as well as a megalomaniacal female criminal mastermind.
Starring: Shirley Eaton, Maria Rohm, Marta Reves, George Sanders (I), Richard StapleyErotic | 100% |
Adventure | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Jess Franco's "The Girl From Rio" a.k.a. "Future Women" (1969) arrives on 4K Blu-ray courtesy of Blue Underground. The supplemental features on the release include new program with critic Stephen Thrower; new audio commentary by critics Troy Howarth and Nathaniel Thompson; archival interviews with actress Shirley Eaton, Jess Franco, and producer Harry Alan Towers; collection of original promotional materials from around the world and archival production materials; and more. In English, with optional English SDH, Spanish, and French subtitles for the main feature. Region-Free.
Blue Underground's release of The Girl From Rio is a 4K Blu-ray combo pack. The 4K Blu-ray and the Blu-ray are Region-Free.
Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
Screencaptures #1-32 are from the Blu-ray.
Screencaptures #35-39 are from the 4K Blu-ray.
The Girl From Rio made its high-definition debut with this release in 2016, which was not at all impressive. This upcoming release introduces a brand new and exclusive 4K restoration of the film that can be viewed in native 4K and 1080p. The 4K presentation can be viewed with HDR and Dolby Vision grades. I viewed the film in native 4K with Dolby Vision and spent quite a bit of time examining the 1080p presentation.
Even though the 4K Blu-ray and Blu-ray introduce the same 4K makeover, the presentations are quite different. I liked the native 4K presentation quite a lot. However, I thought that the 1080p presentation should have been a lot more convincing.
In native 4K, the new makeover looks really good. Delineation, clarity, and depth are not just better but dramatically better, so there is a lot more to see and appreciate. Some of the outdoor footage looks so striking now that it almost feels as if someone has removed some sort of a veil that previously made all visuals appear flat and soft. Fluidity is excellent. However, now quite a few density fluctuations are easier to recognize as well. There are no traces of problematic degraining adjustments. (On the previous release, there were plenty). Image stability is very good. The surface of the visuals looks very healthy, too. I liked the color balance. In a couple of areas, I think that blues -- and especially navy blues -- should have been a tad more pronounced, but overall the color temperature of the visuals is convincing. The Dolby Vision grade expands the dynamic range of the visuals quite well, as it should, but without introducing any drastic alterations. Darker areas and brighter daylight footage look nicely balanced. Now, I spent quite a bit of time examining the 1080p presentation and noticed that there are plenty of areas where select ranges of blues shift toward turquoise. This has become a serious issue on modern 4K makeovers and at this point it looks like the encoder is routinely replacing or mishandling the digital values for blue with the digital values for turquoise. (This is clearly the case on the recent 4K makeover of The Italian Job). On this release, the error is very obvious on the 1080p presentation, so it appears that the adjustments that need to be made during the transition from 4K, which has a wider color gamut, to 1080p were either ignored or mismanaged. Why? In native 4K, there are various sequences that look right, meaning that the blues are proper, but in 1080p the same sequences do not look right. For example, in 1080p, here you should not be seeing cyan/ turqoise. Also, in 1080p, here and here you should be seeing the colors and color temperature that present here and here. The last two examples are from the 4K Blu-ray. On my system, these discrepancies are very obvious. Naturally, I have to assume that the party that prepared the 1080p encode simply shifted the 4K data to 1080p without proper adjustments. All in all, I think that the 4K presentation of the new makeover is unquestionably the all-around best presentation of The Girl From Rio. My score for the 4K Blu-ray is 4.75/5.00. My score for the Blu-ray is 3.75/5.00.
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 1.0. Optional English SDH, Spanish, and French subtitles are provided for the main feature.
I thought that the lossless audio track on the previous release of The Girl From Rio was very good. It does have some small inherited limitations but this is hardly surprising. The audio track on this release sounded identical to me. If there are any discrepancies in key areas that we address in our reviews, I could not tell. I did not encounter any encoding anomalies to report.
4K BLU-RAY DISC
Jess Franco's The Girl From Rio is a whacky psychedelic thriller that brings together everything that makes the cult Spanish director's work so great. It does not make a whole lot of sense -- and for this type of project this is actually a major bonus -- but it has a truly fantastic atmosphere. As far as vintage European B-films are concerned, The Girl From Rio is one of the very best. Blue Underground's upcoming 4K Blu-ray/Blu-ray release introduces a brand new 4K restoration of The Girl From Rio that is a stunner. However, it only looks as it should in native 4K. The 1080p presentation of the same restoration should have been more convincing. Franco aficionados should not miss it. VERY HIGHLY RECOMMENDED.
1977
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1969
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1967
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1973
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1983
1972
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1984
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1989