6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
When electronics engineer Mitch MacAfee spots a UFO as "big as a battleship", from his plane, the Air Force scrambles planes to investigate. However, nothing shows up on radar, and one of the jets is lost during the action. MacAfee is regarded as a dangerous crackpot until other incidents and disappearances convince the authorities that the threat is real. Some believe it is a French-Canadian folk legend come to life, but it turns out to be an extraterrestrial giant bird composed of anti-matter whose disregard for human life and architecture threatens the world...
Starring: Jeff Morrow (I), Mara Corday, Morris Ankrum, Louis Merrill, Edgar BarrierHorror | 100% |
Sci-Fi | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 2.5 |
Note: This film is available on Blu-ray as a part of Cold War Creatures: Four Films from Sam Katzman.
Sam Katzman's name may frankly not be held in the same general esteem as some other famous Golden Era producers like David O. Selznick or
Adolph Zukor, but for sheer number of films produced and perhaps especially in cost to profit ratio, Katzman might eclipse more ostensible
luminaries
than you
might expect. While Zukor, as the head of Paramount Pictures, got literally hundreds of "presents" credits, his actual producing credits (according
to
the IMDb) number fewer than a hundred, and Selznick logs in with even fewer than that. Of course both Selznick and Zukor tended to
enjoy much more fulsome budgets and more glittering marquee stars than Katzman, a hardscrabble guy who started working in the film industry
when he was barely a teenager, and who then climbed the ranks to work at a number of studios, including "poverty row" centers like Monogram,
but
also 20th Century Fox, Metro Goldwyn Mayer and Columbia, ending up with (again according to the IMDb) 239 credits as producer. The four
Katzman
produced efforts Arrow Video has aggregated in this appealing
collection may arguably not be from Hollywood's "real" Golden Era, with, as the title of the collection may hint at, these films all emanating a mid-
fifties ambience that sought to attract younger viewers in particular away from the hypnotizing influence of that confounded television invention,
often
courtesy of plots that included science fiction and/or horror.
The Giant Claw is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.78:1. Arrow actually provides two insert booklets with this release, but there's very little information granted about the transfer, other than that "restored masters were produced by Sony Pictures". Of course Sony has long been one of the more reliable curators of even its less well known catalog, and this presentation, along with The Werewolf, is one of the standouts in the Katzman set. Detail levels are commendable throughout, and even with a slight downturn in some of the "effects" shots featuring the ridiculous Big Bird, fine detail is frequently excellent as well (take a look at those flyaway hairs on the bird's head in screenshot 3). There's some stock footage on hand here which looks a bit rough, but on the whole there's no appreciable damage to report, with good consistent looking contrast and an organically resolved grain field.
The Giant Claw features a DTS-HD Master Audio Mono track which offers nice fidelity throughout, capably supporting the film's dialogue (which is at times about as ridiculous as the Big Bird) and sound effects. Once again the score looks like it was fashioned out of stock library cues, but I noticed no huge differentiations in fidelity or even hall ambience. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
Yes, The Giant Claw simply cant escape the patent absurdity of its malevolent main monster, but that may only give this film added charm for certain jaded audience types (of which I should probably admit I'm a charter member). This has very nice looking video for the most part, and audio is also fine. As is usually the case with Arrow's releases, the supplements are also very well done, for those who are considering making a purchase.
(Still not reliable for this title)
1956
1954
1959
1958
2013
1957
1964
1988
Warner Archive Collection
1951
1953
2019
2018
2013
2010
2011
2010
2010
1958
1955
1957